Quote

Katrina was one of those things that rips the clothes off of the guy who keeps saying he's a saint, and underneath you see that he's a monster.

Junot Diaz

Change background

T
T
T

Change font

TAGS & TOPICS

Junot Diaz
Age: 55
Born: 1968
Born: December 31
Faculty Member
Novelist
Science Fiction Writer
University Teacher
Writer
Santo Domingo
Dominican Republic
Junot Diaz
Monsters
Saint
Keeps
Clothes
Rips
Saying
Katrina
Guy
Rip
Things
Underneath
Monster

More quotes by Junot Diaz

Image
[Donald] Trump is taking America's dirty laundry to the center stage. Everything he does, the rest of the country already does really well: victimize immigrants, poor people, women.
Junot Diaz
Image
Our relationship wasn't the sun, the moon, the stars, but it wasn't bullshit, either.
Junot Diaz
Image
So the kind of boy I was, or that I was told to be, you were kind of this like half-gladiator, half-dude who, you know, was supposed to have as many girls as possible and work until your heart exploded, have no fear, you know.
Junot Diaz
Image
For kind of sophisticated art I'm interested in, the larger structural rebuke has to be so subtle that it has to be distributed at an almost sub-atomic level. Otherwise, you fall into the kind of preachy, moralistic fable that I don't think makes for good literature.
Junot Diaz
Image
Beli at thirteen believed in love like a seventy-year-old widow who's been abandoned by family, husband, children and fortune believes in God.
Junot Diaz
Image
...sometimes a start is all we ever get.
Junot Diaz
Image
As a Dominican man, you're socialized to be a playboy. You spend a lot of time being taught that women are important, but without the really positive framework of why. You figure out quickly it's because of culo (ass). But there is a sense that it's not that simple.
Junot Diaz
Image
I grew up in the shadow of the Trujillato, saw how the regime had ravaged so many families.
Junot Diaz
Image
The Prisoner's Wife echoes Edwidge Danticat's Farming of the Bones in the urgency in which it reminds us of the possibility of love even amidst the ruins. This is a terrifying, heart-breaking and, ultimately, important book.
Junot Diaz
Image
I always had a sense that I would fall in love with Tokyo. In retrospect I guess it's not that surprising. I was of the generation that had grown up in the '80s when Japan was ascendant (born aloft by a bubble whose burst crippled its economy for decades), and I'd fed on a steady diet of anime and samurai films.
Junot Diaz
Image
This is what I know: people's hopes go on forever.
Junot Diaz
Image
Technically, I split my time between N.Y.C. and Boston.
Junot Diaz
Image
In my view, a writer is a writer because even when there is no hope, even when nothing you do shows any sign of promise, you keep writing anyway.
Junot Diaz
Image
I'm not writing fairy tales or object lessons.
Junot Diaz
Image
This country wants to live in the illusion that it is tolerant but also wants to be able to practice intolerance.
Junot Diaz
Image
When you're the ones in the life raft and you have four or five women in the life raft who put it together, by the end of it your nerves are blown. The people you're going to attack are the people who are helping you, who you are holding it together with.
Junot Diaz
Image
She had reason to doubt him he was real good at planning but real bad at doing.
Junot Diaz
Image
I never hear white writers get asked, 'Do you worry about how you represent white people?'
Junot Diaz
Image
I was in fact pretty much - by the larger culture, by the local culture, by people around me, by people on TV - encouraged to imagine women as something slightly inferior to men.
Junot Diaz
Image
My art feels like it's real disobedient. I can fill notebooks with observations and maybe they find their way into the work unconsciously, which is great. I've never been able to directly plug, like to take a little snip that I've picked up on the street and transfer it into a story. I don't know what's wrong, but it never works that way.
Junot Diaz