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If we do not begin to practice the muscles of having a possessive investment in each other's oppressions, then we are in some serious trouble.
Junot Diaz
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Junot Diaz
Age: 55
Born: 1968
Born: December 31
Faculty Member
Novelist
Science Fiction Writer
University Teacher
Writer
Santo Domingo
Dominican Republic
Junot Diaz
Begin
Serious
Trouble
Practice
Oppressions
Possessive
Muscles
Oppression
Investment
More quotes by Junot Diaz
Travel light. She extended her arms to embrace her house, maybe the whole world.
Junot Diaz
There are a couple of strategies for writing about an absence or writing about a loss. One can create the person that was lost, develop the character of the fiancee. There's another strategy that one can employ, maybe riskier... Make the reader suffer the loss of the character in a more literal way.
Junot Diaz
I was neither black enough for the black kids or Dominican enough for the Dominican kids. I didn't have a safe category.
Junot Diaz
I seem to enjoy telling stories with a central absence, with a lacuna tunnelled into them.
Junot Diaz
...sometimes a start is all we ever get.
Junot Diaz
The whole culture is telling you to hurry, while the art tells you to take your time. Always listen to the art.
Junot Diaz
We know story collections end when they end, as well - the pages serving as a countdown - but nevertheless the standard story anthology hews closer to what makes being human so hard: it reminds you with each story how quickly everything we are, everything we call our lives can change, can be upended, can disappear. Never to return.
Junot Diaz
It's exactly at these moments, when all hope has vanished, that prayer has dominion.
Junot Diaz
The truth is there ain’t no relationship in the world that doesn’t hit turbulence.
Junot Diaz
A first lesson in the fragility of love and the preternatural cowardice of men. And out of this disillusionment and turmoil sprang Beli's first adult oath, one that would follow her into adulthood, to the States and beyond. I will not serve.
Junot Diaz
My greatest responsibility is to acknowledge the mistakes and the shortcomings of the country in which I live, to acknowledge my privileges, and to try to make it a better place.
Junot Diaz
Students teach all sorts of things but most importantly they make explicit the courage that it takes to be a learner, the courage it takes to open yourself to the transformative power of real learning and that courage I am exposed to almost every day at MIT and that I'm deeply grateful for.
Junot Diaz
To an outsider, I just seem like a list of accomplishments. To me, all there is is how often I fail.
Junot Diaz
My art feels like it's real disobedient. I can fill notebooks with observations and maybe they find their way into the work unconsciously, which is great. I've never been able to directly plug, like to take a little snip that I've picked up on the street and transfer it into a story. I don't know what's wrong, but it never works that way.
Junot Diaz
I can always tell if someone's from Harvard because they trot out their vitae. I would die at Harvard.
Junot Diaz
In another universe I probably came out OK, ended up with mad novias and jobs and a sea of love in which to swim, but in this world I had a brother who was dying of cancer and a long dark patch of life like a mile of black ice waiting for me up ahead.
Junot Diaz
I spent my entire childhood feeling like a freak because I liked to read. It's just like, Eh, no one else likes to read but me I must be crazy!
Junot Diaz
Artists are not cheerleaders, and we're not the heads of tourism boards. We expose and discuss what is problematic, what is contradictory, what is hurtful and what is silenced in the culture we're in.
Junot Diaz
Ybon was the one who suggested calling the wait something else. Yeah, like what? Maybe, she said, you could call it life.
Junot Diaz
For my first three books the setting (or place if you will) has always been a given - N.J. and the Dominican Republic and some N.Y.C. - so from one perspective you could say that the place in my work always comes first.
Junot Diaz