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I'm like everybody else: weak, full of mistakes, but basically good.
Junot Diaz
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Junot Diaz
Age: 55
Born: 1968
Born: December 31
Faculty Member
Novelist
Science Fiction Writer
University Teacher
Writer
Santo Domingo
Dominican Republic
Junot Diaz
Weak
Mistake
Full
Everybody
Else
Good
Like
Basically
Mistakes
More quotes by Junot Diaz
Clavo saca clavo. Nothing sacas nothing, you reply. No one will ever be like her.
Junot Diaz
The one thing about being a dude and writing from a female perspective is that the baseline is, you suck. The baseline is it takes so long for you to work those atrophied muscles - for you to get on parity with what women's representations of men are.
Junot Diaz
The Caribbean is such an apocalyptic place, whether it's the decimation of the indigenous populations by the Europeans, whether it's the importation of slaves and their subsequent being worked to death by the millions in many ways, whether it's the immigrant processes which began for many people, new worlds ending their old ones.
Junot Diaz
To an outsider, I just seem like a list of accomplishments. To me, all there is is how often I fail.
Junot Diaz
The world should always be concerned whenever a vast human rights violation occurs anywhere on the planet.
Junot Diaz
Students teach all sorts of things but most importantly they make explicit the courage that it takes to be a learner, the courage it takes to open yourself to the transformative power of real learning and that courage I am exposed to almost every day at MIT and that I'm deeply grateful for.
Junot Diaz
I can always tell if someone's from Harvard because they trot out their vitae. I would die at Harvard.
Junot Diaz
It wasn't that I couldn't write. I wrote every day. I actually worked really hard at writing. At my desk by 7 A.M., would work a full eight and more. Scribbled at the dinner table, in bed, on the toilet, on the No. 6 train, at Shea Stadium. I did everything I could. But none of it worked.
Junot Diaz
There are a couple of strategies for writing about an absence or writing about a loss. One can create the person that was lost, develop the character of the fiancee. There's another strategy that one can employ, maybe riskier... Make the reader suffer the loss of the character in a more literal way.
Junot Diaz
When you're the ones in the life raft and you have four or five women in the life raft who put it together, by the end of it your nerves are blown. The people you're going to attack are the people who are helping you, who you are holding it together with.
Junot Diaz
John Carter was also one of our first recognizable superhumans and there is little doubt that his extraordinary physical feats inspired Superman's creators. Remember: before Superman could fly or turn back time, he was nothing less than an earthbound crime-fighting John Carter in tights.
Junot Diaz
I grew up in the shadow of the Trujillato, saw how the regime had ravaged so many families.
Junot Diaz
I never wanted to be away from the family. Intuitively, I knew how easily distances could harden and become permanent.
Junot Diaz
Ybon was the one who suggested calling the wait something else. Yeah, like what? Maybe, she said, you could call it life.
Junot Diaz
Stories are hard. I have friends who knock out stories on a weekly or monthly basis, like they're running on medicinal-strength Updike. But for me a story is as daunting a prospect as a novel.
Junot Diaz
I write incredibly slowly. And, on top of that, I spent my entire youth and twenties working like a dog, so one of the things that happened when I finished Drown was that I got busy living. I'd never travelled, I'd never seen anything. So I did as much travelling as my job teaching would allow.
Junot Diaz
I think what happened to me was that I was always being taught to look, but one day I started to see. And it was because a lot of women in my life were refusing just to be looked at, to be this passive figure.
Junot Diaz
Privilege does not operate without silence.
Junot Diaz
New Jersey is to New York what Santo Domingo is to the United States. I always felt that those two landscapes, not only just the landscapes themselves but their relationships to what we would call 'a center' or 'the center of the universe,' has in some ways defined my artistic and critical vision.
Junot Diaz
Art has a way of confronting us, of reminding us, of engaging us, in what it means to be human, and what it means to be human is to be flawed, is to be contradictory, is to be often weak, and yet despite all of these what we would consider drawbacks, that we're also quite beautiful. Spin is the opposite.
Junot Diaz
