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but back then, in those first days, I was so alone that every day was like eating my own heart.

Junot Diaz

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Junot Diaz
Age: 55
Born: 1968
Born: December 31
Faculty Member
Novelist
Science Fiction Writer
University Teacher
Writer
Santo Domingo
Dominican Republic
Junot Diaz
Every
Like
Eating
Days
Alone
Back
Firsts
First
Heart

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I think men spend so much time passing for being men.
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I'm like everybody else: weak, full of mistakes, but basically good.
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I spent my entire childhood feeling like a freak because I liked to read. It's just like, Eh, no one else likes to read but me I must be crazy!
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You keep waiting for the heaviness to leave you. You keep waiting for the moment you never think about the ex again. It doesn't come.
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Our relationship wasn't the sun, the moon, the stars, but it wasn't bullshit, either.
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I was in fact pretty much - by the larger culture, by the local culture, by people around me, by people on TV - encouraged to imagine women as something slightly inferior to men.
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I think that America is such an incredibly dynamic place because of immigration. We fundamentally have been a culture that's been put together from the explosions of other cultures. But it's hard for us to see. We have blinded ourselves to the reality of what our country is.
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As a Dominican man, you're socialized to be a playboy. You spend a lot of time being taught that women are important, but without the really positive framework of why. You figure out quickly it's because of culo (ass). But there is a sense that it's not that simple.
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Technically, I split my time between N.Y.C. and Boston.
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The anti-immigrant logic has basically saturated our world. I'm staying, and I'm fighting.
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I find reading to be a delight, a source of comfort, a way to explore.
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You ask everybody you know: How long does it usually take to get over it? There are many formulas. One year for every year you dated. Two years for every year you dated. It's just a matter of will power: The day you decide it's over, it's over. You never get over it.
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If you want to make a human being into a monster, deny them, at the cultural level any reflection of themselves
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This is what I know: people's hopes go on forever.
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She would be a new person, she vowed. They said no matter how far a mule travels it can never come back a horse, but she would show them all.
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[Donald] Trump is taking America's dirty laundry to the center stage. Everything he does, the rest of the country already does really well: victimize immigrants, poor people, women.
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My mother took care of us until my father scrammed, and then she ended up working in the small-factory sector of New Jersey with a lot of other immigrants.
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I think a lot of the most interesting immigrant writing involves stepping outside of that old, dreary binary. Chang-rae Lee's Native Speaker is a great example. Same goes for Maxine Hong Kingston's The Woman Warrior.
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In fact, looking at the darkest sides of the United States has only made me appreciate the things that we do right, the things that we do beautifully. We are, for all of our mistakes and all of our crimes, a remarkable place.
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Cities produce love and yet feel none. A strange thing when you think about it, but perhaps fitting. Cities need that love more than most of us care to imagine. Cities, after all, for all their massiveness, all their there-ness, are acutely vulnerable.
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