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The half-life of love is forever.

Junot Diaz

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Junot Diaz
Age: 55
Born: 1968
Born: December 31
Faculty Member
Novelist
Science Fiction Writer
University Teacher
Writer
Santo Domingo
Dominican Republic
Junot Diaz
Forever
Half
Love
Life

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She smelled like herself, like the wind through a tree.
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I guess it's true what they say: if you wait long enough everything changes.
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Technically, I split my time between N.Y.C. and Boston.
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Love is the great test of the human. The human is tested by our ability to withstand love. Love is so difficult, it is so challenging, it demands of us that we wreck it with ourselves. It demands of us an honesty that few of us could sustain.
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The whole culture is telling you to hurry, while the art tells you to take your time. Always listen to the art.
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The world should always be concerned whenever a vast human rights violation occurs anywhere on the planet.
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I write incredibly slowly. And, on top of that, I spent my entire youth and twenties working like a dog, so one of the things that happened when I finished Drown was that I got busy living. I'd never travelled, I'd never seen anything. So I did as much travelling as my job teaching would allow.
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Dominican men are told to look at women all the time, but they're definitely not told to see them.
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A first lesson in the fragility of love and the preternatural cowardice of men. And out of this disillusionment and turmoil sprang Beli's first adult oath, one that would follow her into adulthood, to the States and beyond. I will not serve.
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Colleagues are a wonderful thing - but mentors, that's where the real work gets done.
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I was in fact pretty much - by the larger culture, by the local culture, by people around me, by people on TV - encouraged to imagine women as something slightly inferior to men.
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The only difference between a published and unpublished writer is a tolerance for imperfection.
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I've been trying to write. I also spent a lot of time on different campuses, in conversation, helping other writers. That's what I do: I teach them writing.
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In the end, all worlds, whether they're set in the future or in New Jersey of today, are fictions. Sure, you don't got to do too much work to build a mundane world, but don't get it twisted: you still got to do some work.
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The U.S. that I had imagined was nowhere near as crazy and as incredibly damaging and brutal and indifferent as the U.S. that we're currently living in. I thought I was being transgressive, apocalyptic, an out-there person. And then reality lapped me, it just lapped me.
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As an artist you're on a journey of discovery and sometimes that journey takes a long time, doesn't subscribe to [a] train schedule, to the punch-clock. And I need to read a lot to make my pages happen.
Junot Diaz
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For my first three books the setting (or place if you will) has always been a given - N.J. and the Dominican Republic and some N.Y.C. - so from one perspective you could say that the place in my work always comes first.
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In my view, a writer is a writer because even when there is no hope, even when nothing you do shows any sign of promise, you keep writing anyway.
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So the kind of boy I was, or that I was told to be, you were kind of this like half-gladiator, half-dude who, you know, was supposed to have as many girls as possible and work until your heart exploded, have no fear, you know.
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You keep waiting for the heaviness to leave you. You keep waiting for the moment you never think about the ex again. It doesn't come.
Junot Diaz