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Love was a rare thing, easily confused with a million other things, and if anybody knew this to be true it was him.

Junot Diaz

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Junot Diaz
Age: 55
Born: 1968
Born: December 31
Faculty Member
Novelist
Science Fiction Writer
University Teacher
Writer
Santo Domingo
Dominican Republic
Junot Diaz
Love
Easily
Million
Anybody
Millions
Knew
True
Thing
Rare
Things
Confused

More quotes by Junot Diaz

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I don't think you can be from the Caribbean and not know a certain amount about the apocalypse.
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God bless perseverance. Because it's not easy.
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Part of it is eight years of a black president, and white America still lost their [minds] about that. Part of it is a Republican politics of vicious, vicious partisan [stuff] that has completely poisoned what we would call the political rhetorical sphere. All of these things come together in a perfect storm.
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'A Princess of Mars' may not have exerted the same colossal pull that Tarzan had on the global imagination, but its influence on generations of readers cannot be underestimated.
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In another universe I probably came out OK, ended up with mad novias and jobs and a sea of love in which to swim, but in this world I had a brother who was dying of cancer and a long dark patch of life like a mile of black ice waiting for me up ahead.
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Love is the great test of the human. The human is tested by our ability to withstand love. Love is so difficult, it is so challenging, it demands of us that we wreck it with ourselves. It demands of us an honesty that few of us could sustain.
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Technically, I split my time between N.Y.C. and Boston.
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That was the summer when everything we would become was hovering just over our heads.
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I guess it's true what they say: if you wait long enough everything changes.
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Because I can't seem to escape it. It's a way for me to address and counter my questions about what it means to be human, or, in my case a Dominican human who grew up in New Jersey.
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She had reason to doubt him he was real good at planning but real bad at doing.
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As an artist you're on a journey of discovery and sometimes that journey takes a long time, doesn't subscribe to [a] train schedule, to the punch-clock. And I need to read a lot to make my pages happen.
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Used to be in the old days, only the pulp writers wrote like machines. Now everybody is expected to be literary John Henrys. So in that context someone like me is an anomaly.
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As a Dominican man, you're socialized to be a playboy. You spend a lot of time being taught that women are important, but without the really positive framework of why. You figure out quickly it's because of culo (ass). But there is a sense that it's not that simple.
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My art feels like it's real disobedient. I can fill notebooks with observations and maybe they find their way into the work unconsciously, which is great. I've never been able to directly plug, like to take a little snip that I've picked up on the street and transfer it into a story. I don't know what's wrong, but it never works that way.
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Out of nowhere you said, I love you. For whatever it's worth.
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Stories are hard. I have friends who knock out stories on a weekly or monthly basis, like they're running on medicinal-strength Updike. But for me a story is as daunting a prospect as a novel.
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New Jersey for me is so alive with history. It's old, dynamic, African-American, Latino.
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Books are wonderful, but they aren't that powerful.
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Students teach all sorts of things but most importantly they make explicit the courage that it takes to be a learner, the courage it takes to open yourself to the transformative power of real learning and that courage I am exposed to almost every day at MIT and that I'm deeply grateful for.
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