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Sucks to be left out of adolescence, sort of like getting locked in the closet on Venus when the sun appears for the first time in a hundred years.

Junot Diaz

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Junot Diaz
Age: 55
Born: 1968
Born: December 31
Faculty Member
Novelist
Science Fiction Writer
University Teacher
Writer
Santo Domingo
Dominican Republic
Junot Diaz
First
Locked
Years
Appears
Time
Sun
Like
Hundred
Venus
Sort
Sucks
Getting
Closet
Left
Closets
Firsts
Adolescence

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Colleagues are a wonderful thing - but mentors, that's where the real work gets done.
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My greatest responsibility is to acknowledge the mistakes and the shortcomings of the country in which I live, to acknowledge my privileges, and to try to make it a better place.
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- Nothing else has any efficacy, I might as well be myself. - But your yourself sucks! - It is, lamentably, all I have.
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...sometimes a start is all we ever get.
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Every single immigrant we have, undocumented or documented, is a future American. That's just the truth of it.
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What a surprise (we all know how tolerant the tolerant are).
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That was the summer when everything we would become was hovering just over our heads.
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In fact, looking at the darkest sides of the United States has only made me appreciate the things that we do right, the things that we do beautifully. We are, for all of our mistakes and all of our crimes, a remarkable place.
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Run a hand through your hair, like the white boys do, even though the only thing that runs easily through your hair is Africa.
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New Jersey for me is so alive with history. It's old, dynamic, African-American, Latino.
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So the kind of boy I was, or that I was told to be, you were kind of this like half-gladiator, half-dude who, you know, was supposed to have as many girls as possible and work until your heart exploded, have no fear, you know.
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In the months that follow you bend to the work, because it feels like hope, like grace--and because you know in your lying cheater's heart that sometimes a start is all we ever get.
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I was surrounded by a lot of male writers of color who have this incredibly bizarre relationship to masculinity. It's like we were all mega-nerds but you would never know that if you listened to the way they talk about themselves.
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Clavo saca clavo. Nothing sacas nothing, you reply. No one will ever be like her.
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Then you look at her and smile a smile your dissembling face will remember until the day you die. Baby, you say, baby, this is part of my novel. This is how you lose her.
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I write very, very slowly, and for me, I have to summon all sorts of resources to make one of these pieces work.
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Nilda is watching the ground as though she's afraid she might fall. My heart is beating and I think, We could do anything. We could marry. We could drive off to the West Coast. We could start over. It's all possible but neither of us speaks for a long time and the moment closes and we're back in the world we've always known.
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Beli at thirteen believed in love like a seventy-year-old widow who's been abandoned by family, husband, children and fortune believes in God.
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I have a very powerful sense of place, but I have a very powerful sense of being a migrant, so it's both. It seems like I'm always leaving my home. That's part of the formula. I love the Dominican Republic. I go back all the time. I love New Jersey. Go back all the time.
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The art is just really mysterious. If I understood it more, maybe I would write more.
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