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It's exactly at these moments, when all hope has vanished, that prayer has dominion.

Junot Diaz

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Junot Diaz
Age: 55
Born: 1968
Born: December 31
Faculty Member
Novelist
Science Fiction Writer
University Teacher
Writer
Santo Domingo
Dominican Republic
Junot Diaz
Prayer
Hope
Moments
Vanished
Dominion
Exactly

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Our relationship wasn't the sun, the moon, the stars, but it wasn't bullshit, either.
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We can speculate. Last time I checked, the future doesn't take my advice.
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I wring my hands because I know that as a dude, my privilege, my long-term deficiencies work against me in writing women, no matter how hard I try and how talented I am.
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You eventually erase her contact info from your phone but not the pictures you took of her in bed while she was naked and asleep, never those.
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This country has such little sense of itself sometimes, I'm astonished. America is one of the biggest myth-making countries, whether we're talking about how many books are published, how many movies we make. But the greatest myth of all is what America is.
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People are always fascinated by infidelity because, in the end - whether we've had direct experience or not - there's part of you that knows there's absolutely no more piercing betrayal. People are undone by it.
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I never wanted to be away from the family. Intuitively, I knew how easily distances could harden and become permanent.
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In order to write the book you want to write, in the end you have to become the person you need to become to write that book.
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If you want to make a human being into a monster, deny them, at the cultural level any reflection of themselves
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My greatest responsibility is to acknowledge the mistakes and the shortcomings of the country in which I live, to acknowledge my privileges, and to try to make it a better place.
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I mean in the community that I grew up in, you know, a very, you know, mixed, almost entirely African Diaspora community, one of the things that we were not ever supposed to say was how much self-hatred and colorism determined and guided what we would call our desire. In other words, what we would consider beautiful.
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Now people like Susan Sarandon are noticing that people of color live this way?! This is the way I've always lived! What's happened is that it has now reached a level of national discourse where it's on the table. But they've never minded that we were treated like this off-stage.
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For my first three books the setting (or place if you will) has always been a given - N.J. and the Dominican Republic and some N.Y.C. - so from one perspective you could say that the place in my work always comes first.
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Cities produce love and yet feel none. A strange thing when you think about it, but perhaps fitting. Cities need that love more than most of us care to imagine. Cities, after all, for all their massiveness, all their there-ness, are acutely vulnerable.
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'Drown' was always a hybrid book. It's connected stories - partially a story collection but partially a novel. I always wanted the reader to decide which genre they thought the book belonged to more - story, novel, neither, both.
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In fact, looking at the darkest sides of the United States has only made me appreciate the things that we do right, the things that we do beautifully. We are, for all of our mistakes and all of our crimes, a remarkable place.
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I seem to enjoy telling stories with a central absence, with a lacuna tunnelled into them.
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You really want to know what being an X-Man feels like? Just be a smart bookish boy of color in a contemporary U.S. ghetto. Mamma mia! Like having bat wings or a pair of tentacles growing out of your chest.
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We hide so well. This is the bottom line: how hidden is male subjectivity? Name five books where male subjectivity is produced in an honest way.
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In my view, a writer is a writer because even when there is no hope, even when nothing you do shows any sign of promise, you keep writing anyway.
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