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'A Princess of Mars' may not have exerted the same colossal pull that Tarzan had on the global imagination, but its influence on generations of readers cannot be underestimated.

Junot Diaz

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Junot Diaz
Age: 55
Born: 1968
Born: December 31
Faculty Member
Novelist
Science Fiction Writer
University Teacher
Writer
Santo Domingo
Dominican Republic
Junot Diaz
Global
Tarzan
Reader
Exerted
Generations
Colossal
Influence
Underestimated
Imagination
Princess
Cannot
Mars
May
Readers
Pull

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Katrina was one of those things that rips the clothes off of the guy who keeps saying he's a saint, and underneath you see that he's a monster.
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Dominican men are told to look at women all the time, but they're definitely not told to see them.
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Genre might certainly increase some of your narrative freedoms, but it also diminishes others. That's the nature of genre.
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You were at the age where you could fall in love with a girl over an expression, over a gesture. That's what happened with your girlfriend, Paloma- she stooped to pick up her purse and your heart flew out of you.
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My greatest responsibility is to acknowledge the mistakes and the shortcomings of the country in which I live, to acknowledge my privileges, and to try to make it a better place.
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'Drown' was always a hybrid book. It's connected stories - partially a story collection but partially a novel. I always wanted the reader to decide which genre they thought the book belonged to more - story, novel, neither, both.
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The idea that America has cornered the market on anti-immigration is ridiculous. It's a global phenomenon.
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Infidelity raises profound questions about intimacy.
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Stories are hard. I have friends who knock out stories on a weekly or monthly basis, like they're running on medicinal-strength Updike. But for me a story is as daunting a prospect as a novel.
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I just want some space to myself every now and then. Every time I’m with you I have this sense that you want something from me.
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You really want to know what being an X-Man feels like? Just be a smart bookish boy of color in a contemporary U.S. ghetto. Mamma mia! Like having bat wings or a pair of tentacles growing out of your chest.
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She would be a new person, she vowed. They said no matter how far a mule travels it can never come back a horse, but she would show them all.
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This country has such little sense of itself sometimes, I'm astonished. America is one of the biggest myth-making countries, whether we're talking about how many books are published, how many movies we make. But the greatest myth of all is what America is.
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You can't regret the life you didn't lead.
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I prefer the 1950s where people were like, I'm a white supremacist, and that's who I am. Now people want to burn a cross on your lawn and call themselves not racists.
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Every single immigrant we have, undocumented or documented, is a future American. That's just the truth of it.
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I really am a believer that 99.99% of all the stories we need, not only as artists but as human beings, not only as writers but as readers, haven't been written yet. Certainly haven't been published yet.
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The U.S. that I had imagined was nowhere near as crazy and as incredibly damaging and brutal and indifferent as the U.S. that we're currently living in. I thought I was being transgressive, apocalyptic, an out-there person. And then reality lapped me, it just lapped me.
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So the kind of boy I was, or that I was told to be, you were kind of this like half-gladiator, half-dude who, you know, was supposed to have as many girls as possible and work until your heart exploded, have no fear, you know.
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Because I can't seem to escape it. It's a way for me to address and counter my questions about what it means to be human, or, in my case a Dominican human who grew up in New Jersey.
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