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Any art worth its name requires you to be fundamentally lost for a very long time.
Junot Diaz
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Junot Diaz
Age: 55
Born: 1968
Born: December 31
Faculty Member
Novelist
Science Fiction Writer
University Teacher
Writer
Santo Domingo
Dominican Republic
Junot Diaz
Requires
Worth
Name
Names
Lost
Art
Long
Time
Fundamentally
More quotes by Junot Diaz
Poor Oscar. Without even realizing it he'd fallen into one of those Let's Be Friends Vortexes, the bane of nerdboys everywhere. These relationships were love's version of a stay in the stocks, in you go, plenty of misery guaranteed and what you got out of it besides bitterness and heartbreak nobody knows. Perhaps some knowledge of self and women.
Junot Diaz
John Carter was also one of our first recognizable superhumans and there is little doubt that his extraordinary physical feats inspired Superman's creators. Remember: before Superman could fly or turn back time, he was nothing less than an earthbound crime-fighting John Carter in tights.
Junot Diaz
The anti-immigrant logic has basically saturated our world. I'm staying, and I'm fighting.
Junot Diaz
I feel most like myself... after I run - I go out for five miles every morning.
Junot Diaz
In the months that follow you bend to the work, because it feels like hope, like grace--and because you know in your lying cheater's heart that sometimes a start is all we ever get.
Junot Diaz
Part of it is eight years of a black president, and white America still lost their [minds] about that. Part of it is a Republican politics of vicious, vicious partisan [stuff] that has completely poisoned what we would call the political rhetorical sphere. All of these things come together in a perfect storm.
Junot Diaz
...one of those very bad men that not even postmodernism can explain away.
Junot Diaz
The U.S. that I had imagined was nowhere near as crazy and as incredibly damaging and brutal and indifferent as the U.S. that we're currently living in. I thought I was being transgressive, apocalyptic, an out-there person. And then reality lapped me, it just lapped me.
Junot Diaz
'Drown' was always a hybrid book. It's connected stories - partially a story collection but partially a novel. I always wanted the reader to decide which genre they thought the book belonged to more - story, novel, neither, both.
Junot Diaz
She smelled like herself, like the wind through a tree.
Junot Diaz
This country wants to live in the illusion that it is tolerant but also wants to be able to practice intolerance.
Junot Diaz
I find reading to be a delight, a source of comfort, a way to explore.
Junot Diaz
For my first three books the setting (or place if you will) has always been a given - N.J. and the Dominican Republic and some N.Y.C. - so from one perspective you could say that the place in my work always comes first.
Junot Diaz
I never hear white writers get asked, 'Do you worry about how you represent white people?'
Junot Diaz
Katrina was one of those things that rips the clothes off of the guy who keeps saying he's a saint, and underneath you see that he's a monster.
Junot Diaz
Ybon was the one who suggested calling the wait something else. Yeah, like what? Maybe, she said, you could call it life.
Junot Diaz
The Prisoner's Wife echoes Edwidge Danticat's Farming of the Bones in the urgency in which it reminds us of the possibility of love even amidst the ruins. This is a terrifying, heart-breaking and, ultimately, important book.
Junot Diaz
I sleep way too much and I read tremendously.
Junot Diaz
Love is understood, in a historical way, as one of the great human vocations - but its counterspell has always been infidelity. This terrible, terrible betrayal that can tear apart not only another person, not only oneself, but whole families.
Junot Diaz
Cities produce love and yet feel none. A strange thing when you think about it, but perhaps fitting. Cities need that love more than most of us care to imagine. Cities, after all, for all their massiveness, all their there-ness, are acutely vulnerable.
Junot Diaz