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People are always fascinated by infidelity because, in the end - whether we've had direct experience or not - there's part of you that knows there's absolutely no more piercing betrayal. People are undone by it.

Junot Diaz

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Junot Diaz
Age: 55
Born: 1968
Born: December 31
Faculty Member
Novelist
Science Fiction Writer
University Teacher
Writer
Santo Domingo
Dominican Republic
Junot Diaz
Absolutely
Direct
Whether
Experience
Piercing
Ends
Infidelity
Part
Undone
Always
Betrayal
People
Fascinated

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When I read Toni Morrison and Sandra Cisneros as a freshman at Rutgers, it all clicked - that writing was all I wanted to do. It became my calling.
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The world should always be concerned whenever a vast human rights violation occurs anywhere on the planet.
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The one thing about being a dude and writing from a female perspective is that the baseline is, you suck. The baseline is it takes so long for you to work those atrophied muscles - for you to get on parity with what women's representations of men are.
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In the end, all worlds, whether they're set in the future or in New Jersey of today, are fictions. Sure, you don't got to do too much work to build a mundane world, but don't get it twisted: you still got to do some work.
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You eventually erase her contact info from your phone but not the pictures you took of her in bed while she was naked and asleep, never those.
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When I was working on 'Drown' - this was way back in the mid-'90s - I had this idea that I wanted to do another collected stories. I wanted to do another book like 'Drown' that focused specifically on infidelity.
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It was like being at the bottom of an ocean, she said. There was no light and a whole ocean crushing down on you. But most people had gotten so used to it they thought it normal, they forgot even that there was a world above.
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To an outsider, I just seem like a list of accomplishments. To me, all there is is how often I fail.
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Books don't live and die by awards. You don't listen to an Hector Lavoe album because it won some awards.
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Here at last is her smile: burn it into your memory you won't see it often.
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I think a lot of the most interesting immigrant writing involves stepping outside of that old, dreary binary. Chang-rae Lee's Native Speaker is a great example. Same goes for Maxine Hong Kingston's The Woman Warrior.
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My father was a trigamist he supported three families. We were never not poor.
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I don't think you can be from the Caribbean and not know a certain amount about the apocalypse.
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I always individuate myself from other writers who say they would die if they couldn't write. For me, I'd die if I couldn't read.
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Every single immigrant we have, undocumented or documented, is a future American. That's just the truth of it.
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You keep waiting for the heaviness to leave you. You keep waiting for the moment you never think about the ex again. It doesn't come.
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Being an author is always like being a well-run dictatorship - it's all one person speaking.
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In fact, looking at the darkest sides of the United States has only made me appreciate the things that we do right, the things that we do beautifully. We are, for all of our mistakes and all of our crimes, a remarkable place.
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We hide so well. This is the bottom line: how hidden is male subjectivity? Name five books where male subjectivity is produced in an honest way.
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You really want to know what being an X-Man feels like? Just be a smart bookish boy of color in a contemporary U.S. ghetto. Mamma mia! Like having bat wings or a pair of tentacles growing out of your chest.
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