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People are always fascinated by infidelity because, in the end - whether we've had direct experience or not - there's part of you that knows there's absolutely no more piercing betrayal. People are undone by it.

Junot Diaz

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Junot Diaz
Age: 55
Born: 1968
Born: December 31
Faculty Member
Novelist
Science Fiction Writer
University Teacher
Writer
Santo Domingo
Dominican Republic
Junot Diaz
People
Fascinated
Absolutely
Direct
Whether
Experience
Piercing
Ends
Infidelity
Part
Undone
Always
Betrayal

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Katrina was one of those things that rips the clothes off of the guy who keeps saying he's a saint, and underneath you see that he's a monster.
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If you want to make a human being into a monster, deny them, at the cultural level any reflection of themselves
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[Donald] Trump is taking America's dirty laundry to the center stage. Everything he does, the rest of the country already does really well: victimize immigrants, poor people, women.
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Love is understood, in a historical way, as one of the great human vocations - but its counterspell has always been infidelity. This terrible, terrible betrayal that can tear apart not only another person, not only oneself, but whole families.
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Infidelity raises profound questions about intimacy.
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The only difference between a published and unpublished writer is a tolerance for imperfection.
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You can't be a human without seeing.
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This is what I know: people's hopes go on forever.
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Students teach all sorts of things but most importantly they make explicit the courage that it takes to be a learner, the courage it takes to open yourself to the transformative power of real learning and that courage I am exposed to almost every day at MIT and that I'm deeply grateful for.
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I always wanted to read. I always thought I was going to be a historian. I would go to school and study history and then end up in law school, once, I ran out of loot trying to be a history high school teacher. But my dream was always to place myself in a situation where I was always surrounded by books.
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Clavo saca clavo. Nothing sacas nothing, you reply. No one will ever be like her.
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So the kind of boy I was, or that I was told to be, you were kind of this like half-gladiator, half-dude who, you know, was supposed to have as many girls as possible and work until your heart exploded, have no fear, you know.
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And that's when I know it's over. As soon as you start thinking about the beginning, it's the end.
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The one thing about being a dude and writing from a female perspective is that the baseline is, you suck. The baseline is it takes so long for you to work those atrophied muscles - for you to get on parity with what women's representations of men are.
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My art feels like it's real disobedient. I can fill notebooks with observations and maybe they find their way into the work unconsciously, which is great. I've never been able to directly plug, like to take a little snip that I've picked up on the street and transfer it into a story. I don't know what's wrong, but it never works that way.
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Art has a way of confronting us, of reminding us, of engaging us, in what it means to be human, and what it means to be human is to be flawed, is to be contradictory, is to be often weak, and yet despite all of these what we would consider drawbacks, that we're also quite beautiful. Spin is the opposite.
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John Carter was also one of our first recognizable superhumans and there is little doubt that his extraordinary physical feats inspired Superman's creators. Remember: before Superman could fly or turn back time, he was nothing less than an earthbound crime-fighting John Carter in tights.
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If we do not begin to practice the muscles of having a possessive investment in each other's oppressions, then we are in some serious trouble.
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You keep waiting for the heaviness to leave you. You keep waiting for the moment you never think about the ex again. It doesn't come.
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I was neither black enough for the black kids or Dominican enough for the Dominican kids. I didn't have a safe category.
Junot Diaz