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Growing up I had amazing parents who really let me be creative and free. I was the youngest of three by six years, the child who was the outsider and observer. When I went off to Boston to act, I was very young - 10. And my parents didn't fear that. They had the respect to let me make my choices.

Julie Taymor

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Julie Taymor
Age: 72
Born: 1952
Born: December 15
Costume Designer
Director
Film Director
Film Producer
Opera Director
Scenographer
Screenwriter
Theatrical Director
Newton
Massachusetts
Children
Choices
Boston
Years
Creative
Six
Really
Child
Amazing
Make
Free
Parents
Youngest
Fear
Respect
Outsider
Three
Went
Observer
Didn
Parent
Observers
Young
Growing
Outsiders

More quotes by Julie Taymor

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I use cinematic things in a theatrical way on stage, and in film I use theatrical techniques in a cinematic way.
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When you break into song, it's not about dialogue, it's not about how you would speak in a naturalistic sense-it's about expressing your inner torment or your inner joy.
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When I was thinking about The Lion King, I said, we have to do what theater does best. What theater does best is to be abstract and not to do literal reality.
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Americans are attracted to the dark side. But which movies should be allowed to be violent and show that dark side, and which should not? I don't believe in censorship, but I do think there are horrible movies that are bad for you.
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What I don't know for sure is what's next for me - and I don't mind that. I know for sure that whatever happens will be interesting and will challenge and excite me.
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Children have an easier ability to tap into the surreal than adults do, in a funny kind of way.
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One of the reasons why I love to do Shakespeare is that this great artist was able to talk to a wide variety of audiences. He could do the bawdy plays and the humor and the clowns-as you know, because you're a wonderful Stephano-that speaks to the populace, the masses, the groundlings, whatever.
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I want to experience a performance on all levels - I want goose bumps and I want to leave the movie or play arguing about something that's unresolved.
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I lived in Indonesia for four years and I understand trance and magic and where it comes from.
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A performance can have amazing visuals and special effects, but it has to tell a good story, even if that story isn't original.
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In a way, artists are shamans, facilitators who take what's there, channel it through themselves, then put it out there for people to appreciate.
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People will justify whatever for a good cause.
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Limitations force you to find the essence of what you want to say, which is one of the most important things to know for an artist.
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My God, it transformed me. My life changed.
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You don't have to patronize your audience, and you can mix art and commerce in a profound way. You can simultaneously play to the sophisticated, 60-year-old theatergoers and to 4-year-olds.
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You program music with an image and then people are desensitized.
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Americans in particular are myopic. They're not traveling as much. When you were a college student, the next thing you would do on graduation was to take a year off and travel. That's what I did. I went to Indonesia.
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I've had male executives say that my lead character was unlikable because she slept with a lot of guys.
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I call myself a playmaker sometimes - but that's just a word. I don't feel like I have to have a title or a job description.
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We're really having a problem right now in our culture. I haven't seen one movie lately in which the story and visuals have been equally good.
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