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In a way, artists are shamans, facilitators who take what's there, channel it through themselves, then put it out there for people to appreciate.
Julie Taymor
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Julie Taymor
Age: 71
Born: 1952
Born: December 15
Costume Designer
Director
Film Director
Film Producer
Opera Director
Scenographer
Screenwriter
Theatrical Director
Newton
Massachusetts
People
Shamans
Channel
Artists
Appreciate
Artist
Take
Way
More quotes by Julie Taymor
I have never had a problem with people not being able to understand the words and the meanings in Titus.
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Some people become dullards, but as children we are all creative. It's in the programming, the socialization, that we lose our sense of play.
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I want to experience a performance on all levels - I want goose bumps and I want to leave the movie or play arguing about something that's unresolved.
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I'm not going to spend two years on a film or four years on an opera if I don't feel like I can put my own self into it. That doesn't mean it has to be about myself.
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Theater is far superior to film in poetry, in abstract poetry.
Julie Taymor
I use cinematic things in a theatrical way on stage, and in film I use theatrical techniques in a cinematic way.
Julie Taymor
I am creative in my living space - the designer in me helps that out.
Julie Taymor
An artist is an entertainer, number one - a storyteller who takes people someplace, who gives them what they didn't know they wanted.
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I am, to be quite honest, sick of hero stories.
Julie Taymor
Americans are attracted to the dark side. But which movies should be allowed to be violent and show that dark side, and which should not? I don't believe in censorship, but I do think there are horrible movies that are bad for you.
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Limitations force you to find the essence of what you want to say, which is one of the most important things to know for an artist.
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Children have an easier ability to tap into the surreal than adults do, in a funny kind of way.
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You don't have to patronize your audience, and you can mix art and commerce in a profound way. You can simultaneously play to the sophisticated, 60-year-old theatergoers and to 4-year-olds.
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When I was thinking about The Lion King, I said, we have to do what theater does best. What theater does best is to be abstract and not to do literal reality.
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We have often been attracted to the story of the other, the outcast. And he and I just loved working together, so it just kept happening, and our relationship is completely bound up with our work. We enjoy each other's art.
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I have directed good actors and have gone through the process which is more detailed in theater in a way. You have to get people to stay for two or three hours in a performance. They need more talk and rehearsal than in films.
Julie Taymor
I've never been a puppeteer, I conceive and I write and I design and I direct. And not just puppets. I direct actors, I direct dancers, I direct singers, I direct films. I also direct puppeteers. I'm really a theatre maker, but there's not a word for that.
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One of the reasons why I love to do Shakespeare is that this great artist was able to talk to a wide variety of audiences. He could do the bawdy plays and the humor and the clowns-as you know, because you're a wonderful Stephano-that speaks to the populace, the masses, the groundlings, whatever.
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In America, the word art has become like the word adultery. It's this big scarlet letter. When you say you're an artist, people are like, Ugh.
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I've had male executives say that my lead character was unlikable because she slept with a lot of guys.
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