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I think that both musicals and opera have a capacity to get to an inner emotional landscape.
Julie Taymor
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Julie Taymor
Age: 71
Born: 1952
Born: December 15
Costume Designer
Director
Film Director
Film Producer
Opera Director
Scenographer
Screenwriter
Theatrical Director
Newton
Massachusetts
Musicals
Opera
Landscape
Inner
Capacity
Emotional
Think
Thinking
More quotes by Julie Taymor
I have never had a problem with people not being able to understand the words and the meanings in Titus.
Julie Taymor
What I adore is the juxtaposition of high tech and low tech. It's sort of like I love the sacred and the profane. I love to put these extremes in the same hopper.
Julie Taymor
I call myself a playmaker sometimes - but that's just a word. I don't feel like I have to have a title or a job description.
Julie Taymor
I am creative in my living space - the designer in me helps that out.
Julie Taymor
Americans are attracted to the dark side. But which movies should be allowed to be violent and show that dark side, and which should not? I don't believe in censorship, but I do think there are horrible movies that are bad for you.
Julie Taymor
In America, the word art has become like the word adultery. It's this big scarlet letter. When you say you're an artist, people are like, Ugh.
Julie Taymor
When I'm sculpting, I work with wood and clay, and though some say that an image is already in the material and the sculptor just has to discover it, I also believe you have an image in your head that you're trying to get to. So you're in a dialogue with the piece, a back-and-forth.
Julie Taymor
When I'm working as a director, I might have an idea of my own but I'm also trying to get great ideas out of my actors. Directing is much more psychological - it's a lot like being a general. And you have to be organized. While you're making a film, you have between 2 and 500 people asking you a billion questions.
Julie Taymor
Going to the Far East was my first eye-opener to a world vastly different from my own. Then when I was 16 I lived in Paris for a year and studied mime. At 21 I went to Indonesia. I had planned to go for three months, but I stayed four years. I just got lost in the culture.
Julie Taymor
One of the reasons why I love to do Shakespeare is that this great artist was able to talk to a wide variety of audiences. He could do the bawdy plays and the humor and the clowns-as you know, because you're a wonderful Stephano-that speaks to the populace, the masses, the groundlings, whatever.
Julie Taymor
Growing up I had amazing parents who really let me be creative and free. I was the youngest of three by six years, the child who was the outsider and observer. When I went off to Boston to act, I was very young - 10. And my parents didn't fear that. They had the respect to let me make my choices.
Julie Taymor
Limitations force you to find the essence of what you want to say, which is one of the most important things to know for an artist.
Julie Taymor
People will justify whatever for a good cause.
Julie Taymor
In a way, artists are shamans, facilitators who take what's there, channel it through themselves, then put it out there for people to appreciate.
Julie Taymor
You program music with an image and then people are desensitized.
Julie Taymor
I'm not going to spend two years on a film or four years on an opera if I don't feel like I can put my own self into it. That doesn't mean it has to be about myself.
Julie Taymor
That's my policy - to be positive, to just hope that something will happen. If you start with all your fears, your receptivity is for the negative.
Julie Taymor
I want to experience a performance on all levels - I want goose bumps and I want to leave the movie or play arguing about something that's unresolved.
Julie Taymor
I am, to be quite honest, sick of hero stories.
Julie Taymor
I use cinematic things in a theatrical way on stage, and in film I use theatrical techniques in a cinematic way.
Julie Taymor