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When you break into song, it's not about dialogue, it's not about how you would speak in a naturalistic sense-it's about expressing your inner torment or your inner joy.

Julie Taymor

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Julie Taymor
Age: 71
Born: 1952
Born: December 15
Costume Designer
Director
Film Director
Film Producer
Opera Director
Scenographer
Screenwriter
Theatrical Director
Newton
Massachusetts
Inner
Joy
Break
Song
Speak
Naturalistic
Sense
Expressing
Would
Torment
Dialogue

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Children have an easier ability to tap into the surreal than adults do, in a funny kind of way.
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We're really having a problem right now in our culture. I haven't seen one movie lately in which the story and visuals have been equally good.
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People will justify whatever for a good cause.
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Learning is about much more than science and math. Doing theater, music, and art in school really helps children's minds grow because they're using different parts of their brains. Parents who care should insist on that.
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I am, to be quite honest, sick of hero stories.
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What I don't have in theater is editing.
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There is incredible power in the arts to inspire and influence.
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We have often been attracted to the story of the other, the outcast. And he and I just loved working together, so it just kept happening, and our relationship is completely bound up with our work. We enjoy each other's art.
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One of the reasons I love to jump back and forth between mediums is that film does allow me to be more literal. I can go to the real place. I can go to the Coliseum, and I don't have to fake it.
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I call myself a playmaker sometimes - but that's just a word. I don't feel like I have to have a title or a job description.
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I have never had a problem with people not being able to understand the words and the meanings in Titus.
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I lived in Indonesia for four years and I understand trance and magic and where it comes from.
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Growing up I had amazing parents who really let me be creative and free. I was the youngest of three by six years, the child who was the outsider and observer. When I went off to Boston to act, I was very young - 10. And my parents didn't fear that. They had the respect to let me make my choices.
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In America, the word art has become like the word adultery. It's this big scarlet letter. When you say you're an artist, people are like, Ugh.
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An artist is an entertainer, number one - a storyteller who takes people someplace, who gives them what they didn't know they wanted.
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I am creative in my living space - the designer in me helps that out.
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You don't have to patronize your audience, and you can mix art and commerce in a profound way. You can simultaneously play to the sophisticated, 60-year-old theatergoers and to 4-year-olds.
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I received from my experience in Japan an incredible sense of respect for the art of creating, not just the creative product. We're all about the product. To me, the process was also an incredibly important aspect of the total form.
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One of the reasons why I love to do Shakespeare is that this great artist was able to talk to a wide variety of audiences. He could do the bawdy plays and the humor and the clowns-as you know, because you're a wonderful Stephano-that speaks to the populace, the masses, the groundlings, whatever.
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Some people become dullards, but as children we are all creative. It's in the programming, the socialization, that we lose our sense of play.
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