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I lived in Indonesia for four years and I understand trance and magic and where it comes from.

Julie Taymor

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Julie Taymor
Age: 71
Born: 1952
Born: December 15
Costume Designer
Director
Film Director
Film Producer
Opera Director
Scenographer
Screenwriter
Theatrical Director
Newton
Massachusetts
Comes
Years
Indonesia
Trance
Lived
Magic
Four
Understand

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Some people become dullards, but as children we are all creative. It's in the programming, the socialization, that we lose our sense of play.
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I have never had a problem with people not being able to understand the words and the meanings in Titus.
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Growing up I had amazing parents who really let me be creative and free. I was the youngest of three by six years, the child who was the outsider and observer. When I went off to Boston to act, I was very young - 10. And my parents didn't fear that. They had the respect to let me make my choices.
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When I was thinking about The Lion King, I said, we have to do what theater does best. What theater does best is to be abstract and not to do literal reality.
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I received from my experience in Japan an incredible sense of respect for the art of creating, not just the creative product. We're all about the product. To me, the process was also an incredibly important aspect of the total form.
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Limitations force you to find the essence of what you want to say, which is one of the most important things to know for an artist.
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I want to experience a performance on all levels - I want goose bumps and I want to leave the movie or play arguing about something that's unresolved.
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You don't have to patronize your audience, and you can mix art and commerce in a profound way. You can simultaneously play to the sophisticated, 60-year-old theatergoers and to 4-year-olds.
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When I'm sculpting, I work with wood and clay, and though some say that an image is already in the material and the sculptor just has to discover it, I also believe you have an image in your head that you're trying to get to. So you're in a dialogue with the piece, a back-and-forth.
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A performance can have amazing visuals and special effects, but it has to tell a good story, even if that story isn't original.
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Americans are attracted to the dark side. But which movies should be allowed to be violent and show that dark side, and which should not? I don't believe in censorship, but I do think there are horrible movies that are bad for you.
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I am creative in my living space - the designer in me helps that out.
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You program music with an image and then people are desensitized.
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Americans in particular are myopic. They're not traveling as much. When you were a college student, the next thing you would do on graduation was to take a year off and travel. That's what I did. I went to Indonesia.
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What I don't know for sure is what's next for me - and I don't mind that. I know for sure that whatever happens will be interesting and will challenge and excite me.
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I'm not going to spend two years on a film or four years on an opera if I don't feel like I can put my own self into it. That doesn't mean it has to be about myself.
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Theater is far superior to film in poetry, in abstract poetry.
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I use cinematic things in a theatrical way on stage, and in film I use theatrical techniques in a cinematic way.
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In America, the word art has become like the word adultery. It's this big scarlet letter. When you say you're an artist, people are like, Ugh.
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There is incredible power in the arts to inspire and influence.
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