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You program music with an image and then people are desensitized.

Julie Taymor

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Julie Taymor
Age: 71
Born: 1952
Born: December 15
Costume Designer
Director
Film Director
Film Producer
Opera Director
Scenographer
Screenwriter
Theatrical Director
Newton
Massachusetts
People
Desensitized
Image
Program
Music

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I've had male executives say that my lead character was unlikable because she slept with a lot of guys.
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What I adore is the juxtaposition of high tech and low tech. It's sort of like I love the sacred and the profane. I love to put these extremes in the same hopper.
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I have never had a problem with people not being able to understand the words and the meanings in Titus.
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There is incredible power in the arts to inspire and influence.
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A performance can have amazing visuals and special effects, but it has to tell a good story, even if that story isn't original.
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I think that both musicals and opera have a capacity to get to an inner emotional landscape.
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I call myself a playmaker sometimes - but that's just a word. I don't feel like I have to have a title or a job description.
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I am, to be quite honest, sick of hero stories.
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I am creative in my living space - the designer in me helps that out.
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Limitations force you to find the essence of what you want to say, which is one of the most important things to know for an artist.
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When you break into song, it's not about dialogue, it's not about how you would speak in a naturalistic sense-it's about expressing your inner torment or your inner joy.
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Learning is about much more than science and math. Doing theater, music, and art in school really helps children's minds grow because they're using different parts of their brains. Parents who care should insist on that.
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We're really having a problem right now in our culture. I haven't seen one movie lately in which the story and visuals have been equally good.
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I have directed good actors and have gone through the process which is more detailed in theater in a way. You have to get people to stay for two or three hours in a performance. They need more talk and rehearsal than in films.
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Some people become dullards, but as children we are all creative. It's in the programming, the socialization, that we lose our sense of play.
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That's my policy - to be positive, to just hope that something will happen. If you start with all your fears, your receptivity is for the negative.
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I'm not going to spend two years on a film or four years on an opera if I don't feel like I can put my own self into it. That doesn't mean it has to be about myself.
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Americans are attracted to the dark side. But which movies should be allowed to be violent and show that dark side, and which should not? I don't believe in censorship, but I do think there are horrible movies that are bad for you.
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Growing up I had amazing parents who really let me be creative and free. I was the youngest of three by six years, the child who was the outsider and observer. When I went off to Boston to act, I was very young - 10. And my parents didn't fear that. They had the respect to let me make my choices.
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One of the reasons I love to jump back and forth between mediums is that film does allow me to be more literal. I can go to the real place. I can go to the Coliseum, and I don't have to fake it.
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