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One of the reasons I love to jump back and forth between mediums is that film does allow me to be more literal. I can go to the real place. I can go to the Coliseum, and I don't have to fake it.
Julie Taymor
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Julie Taymor
Age: 72
Born: 1952
Born: December 15
Costume Designer
Director
Film Director
Film Producer
Opera Director
Scenographer
Screenwriter
Theatrical Director
Newton
Massachusetts
Film
Literal
Doe
Jump
Back
Mediums
Reason
Fake
Real
Forth
Love
Reasons
Allow
Place
Coliseum
More quotes by Julie Taymor
In America, the word art has become like the word adultery. It's this big scarlet letter. When you say you're an artist, people are like, Ugh.
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I call myself a playmaker sometimes - but that's just a word. I don't feel like I have to have a title or a job description.
Julie Taymor
What I adore is the juxtaposition of high tech and low tech. It's sort of like I love the sacred and the profane. I love to put these extremes in the same hopper.
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Limitations force you to find the essence of what you want to say, which is one of the most important things to know for an artist.
Julie Taymor
Theater is far superior to film in poetry, in abstract poetry.
Julie Taymor
I think that both musicals and opera have a capacity to get to an inner emotional landscape.
Julie Taymor
Americans in particular are myopic. They're not traveling as much. When you were a college student, the next thing you would do on graduation was to take a year off and travel. That's what I did. I went to Indonesia.
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Learning is about much more than science and math. Doing theater, music, and art in school really helps children's minds grow because they're using different parts of their brains. Parents who care should insist on that.
Julie Taymor
But I don't think there has ever been anything written on the nature of violent man as deep and as thorough as Shakespeare's Titus. I think it puts all modern movies and modern exploitations of violence to shame.
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Creativity is a gift, but if you don't know how to use it you might not even know it's there. There's a lot of creativity in the air, but it's meaningless if you're not open to receiving it.
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You don't have to patronize your audience, and you can mix art and commerce in a profound way. You can simultaneously play to the sophisticated, 60-year-old theatergoers and to 4-year-olds.
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When I'm sculpting, I work with wood and clay, and though some say that an image is already in the material and the sculptor just has to discover it, I also believe you have an image in your head that you're trying to get to. So you're in a dialogue with the piece, a back-and-forth.
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I've never been a puppeteer, I conceive and I write and I design and I direct. And not just puppets. I direct actors, I direct dancers, I direct singers, I direct films. I also direct puppeteers. I'm really a theatre maker, but there's not a word for that.
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Going to the Far East was my first eye-opener to a world vastly different from my own. Then when I was 16 I lived in Paris for a year and studied mime. At 21 I went to Indonesia. I had planned to go for three months, but I stayed four years. I just got lost in the culture.
Julie Taymor
We're really having a problem right now in our culture. I haven't seen one movie lately in which the story and visuals have been equally good.
Julie Taymor
I have never had a problem with people not being able to understand the words and the meanings in Titus.
Julie Taymor
A performance can have amazing visuals and special effects, but it has to tell a good story, even if that story isn't original.
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Children have an easier ability to tap into the surreal than adults do, in a funny kind of way.
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I am, to be quite honest, sick of hero stories.
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I received from my experience in Japan an incredible sense of respect for the art of creating, not just the creative product. We're all about the product. To me, the process was also an incredibly important aspect of the total form.
Julie Taymor