Share
×
Inspirational Quotes
Authors
Professions
Topics
Tags
Quote
But I don't think there has ever been anything written on the nature of violent man as deep and as thorough as Shakespeare's Titus. I think it puts all modern movies and modern exploitations of violence to shame.
Julie Taymor
Share
Change background
T
T
T
Change font
Original
TAGS & TOPICS
Julie Taymor
Age: 71
Born: 1952
Born: December 15
Costume Designer
Director
Film Director
Film Producer
Opera Director
Scenographer
Screenwriter
Theatrical Director
Newton
Massachusetts
Movies
Titus
Men
Violence
Thorough
Think
Modern
Exploitation
Thinking
Movie
Shakespeare
Written
Puts
Nature
Violent
Shame
Anything
Deep
Ever
More quotes by Julie Taymor
When I was thinking about The Lion King, I said, we have to do what theater does best. What theater does best is to be abstract and not to do literal reality.
Julie Taymor
Learning is about much more than science and math. Doing theater, music, and art in school really helps children's minds grow because they're using different parts of their brains. Parents who care should insist on that.
Julie Taymor
I lived in Indonesia for four years and I understand trance and magic and where it comes from.
Julie Taymor
We have often been attracted to the story of the other, the outcast. And he and I just loved working together, so it just kept happening, and our relationship is completely bound up with our work. We enjoy each other's art.
Julie Taymor
One of the reasons I love to jump back and forth between mediums is that film does allow me to be more literal. I can go to the real place. I can go to the Coliseum, and I don't have to fake it.
Julie Taymor
You don't have to patronize your audience, and you can mix art and commerce in a profound way. You can simultaneously play to the sophisticated, 60-year-old theatergoers and to 4-year-olds.
Julie Taymor
I call myself a playmaker sometimes - but that's just a word. I don't feel like I have to have a title or a job description.
Julie Taymor
Going to the Far East was my first eye-opener to a world vastly different from my own. Then when I was 16 I lived in Paris for a year and studied mime. At 21 I went to Indonesia. I had planned to go for three months, but I stayed four years. I just got lost in the culture.
Julie Taymor
Americans in particular are myopic. They're not traveling as much. When you were a college student, the next thing you would do on graduation was to take a year off and travel. That's what I did. I went to Indonesia.
Julie Taymor
Children have an easier ability to tap into the surreal than adults do, in a funny kind of way.
Julie Taymor
I am, to be quite honest, sick of hero stories.
Julie Taymor
I received from my experience in Japan an incredible sense of respect for the art of creating, not just the creative product. We're all about the product. To me, the process was also an incredibly important aspect of the total form.
Julie Taymor
What I adore is the juxtaposition of high tech and low tech. It's sort of like I love the sacred and the profane. I love to put these extremes in the same hopper.
Julie Taymor
I've had male executives say that my lead character was unlikable because she slept with a lot of guys.
Julie Taymor
I have never had a problem with people not being able to understand the words and the meanings in Titus.
Julie Taymor
In America, the word art has become like the word adultery. It's this big scarlet letter. When you say you're an artist, people are like, Ugh.
Julie Taymor
What I don't have in theater is editing.
Julie Taymor
That's my policy - to be positive, to just hope that something will happen. If you start with all your fears, your receptivity is for the negative.
Julie Taymor
Limitations force you to find the essence of what you want to say, which is one of the most important things to know for an artist.
Julie Taymor
When I'm sculpting, I work with wood and clay, and though some say that an image is already in the material and the sculptor just has to discover it, I also believe you have an image in your head that you're trying to get to. So you're in a dialogue with the piece, a back-and-forth.
Julie Taymor