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But I don't think there has ever been anything written on the nature of violent man as deep and as thorough as Shakespeare's Titus. I think it puts all modern movies and modern exploitations of violence to shame.
Julie Taymor
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Julie Taymor
Age: 71
Born: 1952
Born: December 15
Costume Designer
Director
Film Director
Film Producer
Opera Director
Scenographer
Screenwriter
Theatrical Director
Newton
Massachusetts
Men
Movies
Titus
Think
Violence
Thorough
Thinking
Modern
Exploitation
Movie
Shakespeare
Written
Puts
Nature
Violent
Anything
Shame
Ever
Deep
More quotes by Julie Taymor
I think that both musicals and opera have a capacity to get to an inner emotional landscape.
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I'm not going to spend two years on a film or four years on an opera if I don't feel like I can put my own self into it. That doesn't mean it has to be about myself.
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Americans are attracted to the dark side. But which movies should be allowed to be violent and show that dark side, and which should not? I don't believe in censorship, but I do think there are horrible movies that are bad for you.
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People will justify whatever for a good cause.
Julie Taymor
Theater is far superior to film in poetry, in abstract poetry.
Julie Taymor
What I don't have in theater is editing.
Julie Taymor
Americans in particular are myopic. They're not traveling as much. When you were a college student, the next thing you would do on graduation was to take a year off and travel. That's what I did. I went to Indonesia.
Julie Taymor
I use cinematic things in a theatrical way on stage, and in film I use theatrical techniques in a cinematic way.
Julie Taymor
I want to experience a performance on all levels - I want goose bumps and I want to leave the movie or play arguing about something that's unresolved.
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One of the reasons why I love to do Shakespeare is that this great artist was able to talk to a wide variety of audiences. He could do the bawdy plays and the humor and the clowns-as you know, because you're a wonderful Stephano-that speaks to the populace, the masses, the groundlings, whatever.
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What I adore is the juxtaposition of high tech and low tech. It's sort of like I love the sacred and the profane. I love to put these extremes in the same hopper.
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We're really having a problem right now in our culture. I haven't seen one movie lately in which the story and visuals have been equally good.
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Going to the Far East was my first eye-opener to a world vastly different from my own. Then when I was 16 I lived in Paris for a year and studied mime. At 21 I went to Indonesia. I had planned to go for three months, but I stayed four years. I just got lost in the culture.
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A performance can have amazing visuals and special effects, but it has to tell a good story, even if that story isn't original.
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I've never been a puppeteer, I conceive and I write and I design and I direct. And not just puppets. I direct actors, I direct dancers, I direct singers, I direct films. I also direct puppeteers. I'm really a theatre maker, but there's not a word for that.
Julie Taymor
Limitations force you to find the essence of what you want to say, which is one of the most important things to know for an artist.
Julie Taymor
You don't have to patronize your audience, and you can mix art and commerce in a profound way. You can simultaneously play to the sophisticated, 60-year-old theatergoers and to 4-year-olds.
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Creativity is a gift, but if you don't know how to use it you might not even know it's there. There's a lot of creativity in the air, but it's meaningless if you're not open to receiving it.
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I call myself a playmaker sometimes - but that's just a word. I don't feel like I have to have a title or a job description.
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My God, it transformed me. My life changed.
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