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I'm not going to spend two years on a film or four years on an opera if I don't feel like I can put my own self into it. That doesn't mean it has to be about myself.

Julie Taymor

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Julie Taymor
Age: 71
Born: 1952
Born: December 15
Costume Designer
Director
Film Director
Film Producer
Opera Director
Scenographer
Screenwriter
Theatrical Director
Newton
Massachusetts
Mean
Spend
Going
Four
Years
Doesn
Like
Film
Two
Self
Feel
Nasty
Feels
Opera

More quotes by Julie Taymor

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I've never been a puppeteer, I conceive and I write and I design and I direct. And not just puppets. I direct actors, I direct dancers, I direct singers, I direct films. I also direct puppeteers. I'm really a theatre maker, but there's not a word for that.
Julie Taymor
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I use cinematic things in a theatrical way on stage, and in film I use theatrical techniques in a cinematic way.
Julie Taymor
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Going to the Far East was my first eye-opener to a world vastly different from my own. Then when I was 16 I lived in Paris for a year and studied mime. At 21 I went to Indonesia. I had planned to go for three months, but I stayed four years. I just got lost in the culture.
Julie Taymor
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I have directed good actors and have gone through the process which is more detailed in theater in a way. You have to get people to stay for two or three hours in a performance. They need more talk and rehearsal than in films.
Julie Taymor
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Theater is far superior to film in poetry, in abstract poetry.
Julie Taymor
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I call myself a playmaker sometimes - but that's just a word. I don't feel like I have to have a title or a job description.
Julie Taymor
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An artist is an entertainer, number one - a storyteller who takes people someplace, who gives them what they didn't know they wanted.
Julie Taymor
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I've had male executives say that my lead character was unlikable because she slept with a lot of guys.
Julie Taymor
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When I'm working as a director, I might have an idea of my own but I'm also trying to get great ideas out of my actors. Directing is much more psychological - it's a lot like being a general. And you have to be organized. While you're making a film, you have between 2 and 500 people asking you a billion questions.
Julie Taymor
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One of the reasons I love to jump back and forth between mediums is that film does allow me to be more literal. I can go to the real place. I can go to the Coliseum, and I don't have to fake it.
Julie Taymor
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I have never had a problem with people not being able to understand the words and the meanings in Titus.
Julie Taymor
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One of the reasons why I love to do Shakespeare is that this great artist was able to talk to a wide variety of audiences. He could do the bawdy plays and the humor and the clowns-as you know, because you're a wonderful Stephano-that speaks to the populace, the masses, the groundlings, whatever.
Julie Taymor
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What I adore is the juxtaposition of high tech and low tech. It's sort of like I love the sacred and the profane. I love to put these extremes in the same hopper.
Julie Taymor
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When you break into song, it's not about dialogue, it's not about how you would speak in a naturalistic sense-it's about expressing your inner torment or your inner joy.
Julie Taymor
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I am, to be quite honest, sick of hero stories.
Julie Taymor
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Some people become dullards, but as children we are all creative. It's in the programming, the socialization, that we lose our sense of play.
Julie Taymor
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What I don't have in theater is editing.
Julie Taymor
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We have often been attracted to the story of the other, the outcast. And he and I just loved working together, so it just kept happening, and our relationship is completely bound up with our work. We enjoy each other's art.
Julie Taymor
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Growing up I had amazing parents who really let me be creative and free. I was the youngest of three by six years, the child who was the outsider and observer. When I went off to Boston to act, I was very young - 10. And my parents didn't fear that. They had the respect to let me make my choices.
Julie Taymor
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I think that both musicals and opera have a capacity to get to an inner emotional landscape.
Julie Taymor