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I have directed good actors and have gone through the process which is more detailed in theater in a way. You have to get people to stay for two or three hours in a performance. They need more talk and rehearsal than in films.

Julie Taymor

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Julie Taymor
Age: 71
Born: 1952
Born: December 15
Costume Designer
Director
Film Director
Film Producer
Opera Director
Scenographer
Screenwriter
Theatrical Director
Newton
Massachusetts
Way
Hours
Directed
Good
Actors
Performance
People
Process
Performances
Three
Theater
Film
Films
Two
Stay
Need
Gone
Detailed
Needs
Talk
Rehearsal

More quotes by Julie Taymor

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People will justify whatever for a good cause.
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What I don't have in theater is editing.
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What I don't know for sure is what's next for me - and I don't mind that. I know for sure that whatever happens will be interesting and will challenge and excite me.
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When I was thinking about The Lion King, I said, we have to do what theater does best. What theater does best is to be abstract and not to do literal reality.
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You program music with an image and then people are desensitized.
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In a way, artists are shamans, facilitators who take what's there, channel it through themselves, then put it out there for people to appreciate.
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A performance can have amazing visuals and special effects, but it has to tell a good story, even if that story isn't original.
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I am creative in my living space - the designer in me helps that out.
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I am, to be quite honest, sick of hero stories.
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We're really having a problem right now in our culture. I haven't seen one movie lately in which the story and visuals have been equally good.
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But I don't think there has ever been anything written on the nature of violent man as deep and as thorough as Shakespeare's Titus. I think it puts all modern movies and modern exploitations of violence to shame.
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We have often been attracted to the story of the other, the outcast. And he and I just loved working together, so it just kept happening, and our relationship is completely bound up with our work. We enjoy each other's art.
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Going to the Far East was my first eye-opener to a world vastly different from my own. Then when I was 16 I lived in Paris for a year and studied mime. At 21 I went to Indonesia. I had planned to go for three months, but I stayed four years. I just got lost in the culture.
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Limitations force you to find the essence of what you want to say, which is one of the most important things to know for an artist.
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I received from my experience in Japan an incredible sense of respect for the art of creating, not just the creative product. We're all about the product. To me, the process was also an incredibly important aspect of the total form.
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When you break into song, it's not about dialogue, it's not about how you would speak in a naturalistic sense-it's about expressing your inner torment or your inner joy.
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That's my policy - to be positive, to just hope that something will happen. If you start with all your fears, your receptivity is for the negative.
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I've had male executives say that my lead character was unlikable because she slept with a lot of guys.
Julie Taymor
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An artist is an entertainer, number one - a storyteller who takes people someplace, who gives them what they didn't know they wanted.
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I lived in Indonesia for four years and I understand trance and magic and where it comes from.
Julie Taymor