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I have directed good actors and have gone through the process which is more detailed in theater in a way. You have to get people to stay for two or three hours in a performance. They need more talk and rehearsal than in films.

Julie Taymor

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Julie Taymor
Age: 71
Born: 1952
Born: December 15
Costume Designer
Director
Film Director
Film Producer
Opera Director
Scenographer
Screenwriter
Theatrical Director
Newton
Massachusetts
Talk
Rehearsal
Needs
Directed
Way
Hours
Performance
Good
Actors
Performances
People
Process
Theater
Three
Films
Film
Stay
Two
Gone
Detailed
Need

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I have never had a problem with people not being able to understand the words and the meanings in Titus.
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You program music with an image and then people are desensitized.
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People will justify whatever for a good cause.
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I am, to be quite honest, sick of hero stories.
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We have often been attracted to the story of the other, the outcast. And he and I just loved working together, so it just kept happening, and our relationship is completely bound up with our work. We enjoy each other's art.
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You don't have to patronize your audience, and you can mix art and commerce in a profound way. You can simultaneously play to the sophisticated, 60-year-old theatergoers and to 4-year-olds.
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I'm not going to spend two years on a film or four years on an opera if I don't feel like I can put my own self into it. That doesn't mean it has to be about myself.
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What I adore is the juxtaposition of high tech and low tech. It's sort of like I love the sacred and the profane. I love to put these extremes in the same hopper.
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I've had male executives say that my lead character was unlikable because she slept with a lot of guys.
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I use cinematic things in a theatrical way on stage, and in film I use theatrical techniques in a cinematic way.
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What I don't know for sure is what's next for me - and I don't mind that. I know for sure that whatever happens will be interesting and will challenge and excite me.
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We're really having a problem right now in our culture. I haven't seen one movie lately in which the story and visuals have been equally good.
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I think that both musicals and opera have a capacity to get to an inner emotional landscape.
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In America, the word art has become like the word adultery. It's this big scarlet letter. When you say you're an artist, people are like, Ugh.
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Theater is far superior to film in poetry, in abstract poetry.
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An artist is an entertainer, number one - a storyteller who takes people someplace, who gives them what they didn't know they wanted.
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I want to experience a performance on all levels - I want goose bumps and I want to leave the movie or play arguing about something that's unresolved.
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When I'm sculpting, I work with wood and clay, and though some say that an image is already in the material and the sculptor just has to discover it, I also believe you have an image in your head that you're trying to get to. So you're in a dialogue with the piece, a back-and-forth.
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Limitations force you to find the essence of what you want to say, which is one of the most important things to know for an artist.
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Children have an easier ability to tap into the surreal than adults do, in a funny kind of way.
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