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Americans in particular are myopic. They're not traveling as much. When you were a college student, the next thing you would do on graduation was to take a year off and travel. That's what I did. I went to Indonesia.

Julie Taymor

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Julie Taymor
Age: 72
Born: 1952
Born: December 15
Costume Designer
Director
Film Director
Film Producer
Opera Director
Scenographer
Screenwriter
Theatrical Director
Newton
Massachusetts
Funny
Student
Inspirational
Travel
Next
Americans
Take
Students
Myopic
Thing
College
Indonesia
Much
Particular
Graduation
Years
Went
Graduates
Would
Year
Traveling

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Learning is about much more than science and math. Doing theater, music, and art in school really helps children's minds grow because they're using different parts of their brains. Parents who care should insist on that.
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When I was thinking about The Lion King, I said, we have to do what theater does best. What theater does best is to be abstract and not to do literal reality.
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When you break into song, it's not about dialogue, it's not about how you would speak in a naturalistic sense-it's about expressing your inner torment or your inner joy.
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I call myself a playmaker sometimes - but that's just a word. I don't feel like I have to have a title or a job description.
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I want to experience a performance on all levels - I want goose bumps and I want to leave the movie or play arguing about something that's unresolved.
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I am creative in my living space - the designer in me helps that out.
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What I don't have in theater is editing.
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What I adore is the juxtaposition of high tech and low tech. It's sort of like I love the sacred and the profane. I love to put these extremes in the same hopper.
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Creativity is a gift, but if you don't know how to use it you might not even know it's there. There's a lot of creativity in the air, but it's meaningless if you're not open to receiving it.
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Limitations force you to find the essence of what you want to say, which is one of the most important things to know for an artist.
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One of the reasons why I love to do Shakespeare is that this great artist was able to talk to a wide variety of audiences. He could do the bawdy plays and the humor and the clowns-as you know, because you're a wonderful Stephano-that speaks to the populace, the masses, the groundlings, whatever.
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I think that both musicals and opera have a capacity to get to an inner emotional landscape.
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Some people become dullards, but as children we are all creative. It's in the programming, the socialization, that we lose our sense of play.
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I'm not going to spend two years on a film or four years on an opera if I don't feel like I can put my own self into it. That doesn't mean it has to be about myself.
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I am, to be quite honest, sick of hero stories.
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You don't have to patronize your audience, and you can mix art and commerce in a profound way. You can simultaneously play to the sophisticated, 60-year-old theatergoers and to 4-year-olds.
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I lived in Indonesia for four years and I understand trance and magic and where it comes from.
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We're really having a problem right now in our culture. I haven't seen one movie lately in which the story and visuals have been equally good.
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I have never had a problem with people not being able to understand the words and the meanings in Titus.
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Americans are attracted to the dark side. But which movies should be allowed to be violent and show that dark side, and which should not? I don't believe in censorship, but I do think there are horrible movies that are bad for you.
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