For my second novel, The Apothecary's Daughter, my editor encouraged me to think of another unusual profession for a woman to have. That led to the main character, Lilly Haswell, who finds herself doing the work of an apothecary at a time when it was illegal for women to do so.

I am asked to submit a 2-3 page synopsis to my publisher ahead of time, so by the time I begin writing, I have a fair idea of where the story will begin, the main conflicts, and the basic ending point. But that still leaves plenty of room for changes and discovery along the way.

I find research fascinating and always conduct some before I begin writing, and then fill in the rest as needed. I read stacks of books and also had the opportunity to travel to England to do more research.

In fact, with each of my novels I have been surprised by something that happens that I had not thought of beforehand.

I believe a novel must first of all be a good story. My hope is that the spiritual message is woven in so well, is such a part of the fabric of the story and of the characters' lives, that it is subtle but meaningful. This is difficult to do well and is something I constantly endeavor to improve.

While researching my first book, I discovered so many fascinating tidbits that I wanted to share them with readers to remind them that while the book was fiction, the situations were based on historical realities - some of which were pretty hard to believe.

Having been an editor for more than a decade, I thought I had a good idea of how much work was involved in writing a novel. I was wrong! Writing is a lot harder than I ever imagined - but worth it.

My hope is that my novels reflect the reality of a world where good and evil exist, imperfect people make mistakes, but a perfect Heavenly Father offers forgiveness and second chances.

I found myself wondering, what would it be like to have a strange woman living in your home, nursing your child? My resulting research into the private lives of women in the 18th and 19th centuries inspired me and provided the backbone for [Lady of Milkweed Manor] novel.

But I don't think any parent can expect to escape this life without disappointing his child at some point. And the same could be said the other way around. We all of us fall short now and again, and disappoint someone dear to us, or ourselves. Thankfully, my parents have always been the forgiving sort.

I've managed to include only enough historical detail to give the flavor of the time period while keeping the characters and story focal.

I have wanted to write from a young age, but working with so many gifted authors and editors over the years has taught me so much. I doubt I would be where I am today without that amazing experience.