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In real life, when you speak with each other you overlap each other, so you can't fake that. Like especially when you have no cut. In a regular film when you want people to overlap you cut it that way. It's mixing and editing.
Julie Delpy
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Julie Delpy
Age: 55
Born: 1969
Born: December 21
Actress
Composer
Film Actor
Film Director
Film Editor
Film Producer
Musician
Screenwriter
Singer
Singer-Songwriter
Television Actor
Paris
France
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Regular
Life
More quotes by Julie Delpy
Feminists is something people hate above all. Nothing worse than being a woman in this [movie] business. I really believe that.
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You can never replace anyone because everyone is made up of such beautiful specific details.
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I'm dreaming about making movies for eight weeks, because it's a luxury. But time is money. That's the reality.
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Too many women throw themselves into romance because they're afraid of being single, then start making compromises and losing their identity. I won't do that.
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Few years ago, I said something about the Academy being very white male, which is the reality, and I was slashed to pieces by the media.
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People have their faults, but it doesn't prevent you from loving them.
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I think it's obsessions that a lot of people share, but they don't dare to talk about openly.
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I was having this awful nightmare that I was 32. And then I woke up and I was 23. So relieved. And then I woke up for real, and I was 32.
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I make these little films. I'm just a working person. I just study people a little bit more. It's more sociological, and it's funny anyway - not that serious. It's not like false humility. I just take it for what it is.
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People around you that you feel you're close to, are they really wishing you good things, you know?
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I'm a very direct person and, sometimes, when I want something, I will push it until I get it. But, it's OK. It's not as bad as some people. When I have an idea in my head, I'm pretty stubborn.
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I love making movies. I love writing. I love acting. I love it, and I feel really blessed to be able to actually make a living with something I love doing.
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I've proven that I'm not a complete failure. Every film has done well. It's like, So, okay, when do I get my deal at Warner Bros?
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Most of our life is miscommunication, and when you add a language barrier to it, it just becomes total mayhem and confusion... It just adds to it with all of the cultural differences. It could be an American family meeting another American family and you could still have a total clash. With family, it's like visiting another planet.
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I'm an adaptable nomad. I love Paris, I've been living in Los Angeles and New York since 1990. I love London, too. My roots are inside of me.
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It's terrifying. Women make their first film, their second film, and then it's like a nightmare, right, to make the third or fourth? I mean, it's almost like men can have three films in a row that don't do that well and keep on going.
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I hate that whole Tarantino thing about beating up women and killing them and chopping up. Just because you have the mind of a 12 year old.
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The way I work is that I never let people do an assembly. I don't like it because it shapes the film in a way that I can't really control. To me, editing is making the film and it's a huge process and editors are under-rated.
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I think anyone who has had a fight and who's a very good observer of the situation and people's behavior is capable of writing a fight. But you do start thinking about writing during the fights that you have with your partner.
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I'm comfortable wherever I am, and I can be anywhere and feel comfortable after three weeks. I adapt, and I'm like a chameleon. If a country doesn't have Internet, then I get used to not having the Internet. I could basically live anywhere. I'm a nomad at heart. Nothing is more boring than monotony.
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