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In real life, when you speak with each other you overlap each other, so you can't fake that. Like especially when you have no cut. In a regular film when you want people to overlap you cut it that way. It's mixing and editing.
Julie Delpy
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Julie Delpy
Age: 54
Born: 1969
Born: December 21
Actress
Composer
Film Actor
Film Director
Film Editor
Film Producer
Musician
Screenwriter
Singer
Singer-Songwriter
Television Actor
Paris
France
Cutting
People
Especially
Speak
Film
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Mixing
Editing
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More quotes by Julie Delpy
Few years ago, I said something about the Academy being very white male, which is the reality, and I was slashed to pieces by the media.
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The condition of being an actress can be unbearable.
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I wasn't born an artist. I was really good in science as a kid. I probably shouldn't have been an artist because I'm much more interested in science. But I was raised by artists. I can't really escape it.
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I'm comfortable wherever I am, and I can be anywhere and feel comfortable after three weeks. I adapt, and I'm like a chameleon. If a country doesn't have Internet, then I get used to not having the Internet. I could basically live anywhere. I'm a nomad at heart. Nothing is more boring than monotony.
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Never take no for an answer. It took me 20 years between the time I wrote my first screenplay and the time I actually got money to direct a movie.
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To make what you have in your head, I think that's what directing is.
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I think I do find humor in disorder, and reality is disorder.
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Our society is so much about fidelity being this thing that's sacred, and people are miserable. They're suicidal. It brings more depression than anything else on earth, probably. Sorry to say that, guys.
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It's a typical story: you think of something, it stays in the back of your head for a while, and then you finally do it.
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For Europeans a president having an affair, especially in France, is a joke. No one cares, it would never bring this kind of trouble to a country.
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I love the acting process. What I don't like is what's around it. The auditions and being rejected every other day. The look thing. That you have to lose weight, that you have to do Botox.
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I want to be positive and say: everything I've written will get made eventually.
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Baby, you are gonna miss that plane.
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The way I work is that I never let people do an assembly. I don't like it because it shapes the film in a way that I can't really control. To me, editing is making the film and it's a huge process and editors are under-rated.
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I didn't really fit with other kids. I had problems in school all my life and problems with authority. But my parents never did drugs or anything. They just believed in freedom in the best sense of the word.
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Men go out with me, we break up and then they get married. And later they call me to thank me for teaching them what love is. That I tought them to care and respect women. (...) I wanna kill them! Why didn't they ask me to marry them? I would've said no, but at least they could have asked.
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I had to trick people into giving me money for my first film. Making a romantic comedy is easier and more expected from a woman than it is to make a drama about a Japanese warrior.
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I've had this opportunity to get some of my financing out of Europe, which has helped tremendously, so I'm not completely dependent on the studio system or on U.S. financing.
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It's terrifying. Women make their first film, their second film, and then it's like a nightmare, right, to make the third or fourth? I mean, it's almost like men can have three films in a row that don't do that well and keep on going.
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I think it's obsessions that a lot of people share, but they don't dare to talk about openly.
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