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Our imaginations are strong as children. Sometimes they get shoved aside, these imaginations. They get dusty and mildewed with age. The imagination is a muscle that has to be put to use or it shrivels.

Julianna Baggott

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Julianna Baggott
Age: 55
Born: 1969
Born: September 30
Essayist
Novelist
Poet
University Teacher
Writer
Wilmington
Delaware
Sometimes
Imaginations
Children
Muscle
Aside
Muscles
Imagination
Age
Shrivels
Use
Shoved
Strong
Dusty

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The truth is that for those 86 long years when the Red Sox went without a World Series win, fans were not only in a recession, but trapped in a longstanding, deeply entrenched sports depression.
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I don't have a favorite. I need different genres at different times.
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Are there books about us or something?” This makes Pressia angry - the idea that this world is a subject of study, a story, instead of filled with real people, trying to survive.
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A good novel doesn't just transcend the boundaries of its target market - it knows nothing about target markets.
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The intricacy of plotting a thriller is akin to writing formal poetry.
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I've never thought there was anything I could hope to get by praying for it.
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Literature has done great work for feminism - writing and reading are a practice of empathy - and great literature will continue to do so.
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Red Sox fans have been pushed to the brink over the years, but that's how faith grows stronger.
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While I was in college becoming a good Catholic I was also becoming a writer - one haunted by Catholicism.
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I believe we're brutes, but then, miraculously, there are those among us who stand up against that brutishness and remind us of the goodness we're capable of.
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I've left the Church - for many reasons that I've written about publicly - but it's still a large part of my identity, and I still have my faith, if not my Church.
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I want women writers to write boldly, wildly, deeply. I want them to feel really liberated to tell the brutal truth, however they see that truth and are moved to tell it.
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You learn to exploit genre for the more important things - to my mind - like story, character, image, language.
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Being cross-genre, you can encounter an image and decide not only how to best express it but what form would express it best.
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People know the difference between good and evil in their hearts-if they search them. Religions twist good and evil. Their differences are the kind that need to be taught because they aren't natural.
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Sometimes when reading aloud to my husband, I'll start crying. It completely stuns me. As if the words in my body and on the page - in relation to each other - are cocooned against my own feelings about what I'm writing until they're loosed in the air and become their own. Then I realize what I may or may not have done.
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The poem has to bear the weight with image, language... the screenplay with dialogue, plot.
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Genres are just bottles for the various boats. The boats matter to me.
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I prefer a cluttered workspace.
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