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Our imaginations are strong as children. Sometimes they get shoved aside, these imaginations. They get dusty and mildewed with age. The imagination is a muscle that has to be put to use or it shrivels.

Julianna Baggott

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Julianna Baggott
Age: 55
Born: 1969
Born: September 30
Essayist
Novelist
Poet
University Teacher
Writer
Wilmington
Delaware
Aside
Muscles
Imagination
Age
Shrivels
Use
Shoved
Strong
Dusty
Sometimes
Imaginations
Children
Muscle

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My childhood was marked by the great fear of nuclear holocaust. We practiced our Civil Defense Drills, lining up in hallways, curled to the floor, but we knew we'd die or, worse, survive only to suffer radiation and slow death.
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So far, I should be calm and more specifically not like that...Anything else? Would you like to do surgery on my personality? How about open-heart surgery? I´ve got some tools
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And I know I'm supposed to feel guilty for wanting people to buy my books... and books in general? Novels and poetry, they belong to the realm of art. How dirty of us to try to hawk art! But, after a decade of hand-wringing and apologies, I can't quite muster the guilt anymore.
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Sometimes the only way to fix a mistake- is to make it twice.
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I believe we're brutes, but then, miraculously, there are those among us who stand up against that brutishness and remind us of the goodness we're capable of.
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Literature has done great work for feminism - writing and reading are a practice of empathy - and great literature will continue to do so.
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Red Sox fans have been pushed to the brink over the years, but that's how faith grows stronger.
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Genres are just bottles for the various boats. The boats matter to me.
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My work is to know the characters intimately and to tell their story.
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While I was in college becoming a good Catholic I was also becoming a writer - one haunted by Catholicism.
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I'm a woman, but I've been a sexist, too.
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When a colleague of mine had a notable New York Times book, I said, turn one of the chapters in the collection into a pitch for a novel and sell it to your publisher.
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The intricacy of plotting a thriller is akin to writing formal poetry.
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I prefer true over happy now.
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When you're in the world looking for only one thing, you find it or it finds you. The obsession can be mutual
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I've left the Church - for many reasons that I've written about publicly - but it's still a large part of my identity, and I still have my faith, if not my Church.
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Being cross-genre, you can encounter an image and decide not only how to best express it but what form would express it best.
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The lessons learned in journalism also apply. Writing for NPR has taught me to cut a piece in half and then in half again - without losing the essence. Apply that to the swollen prose of a bulky novel and you might reveal a beautiful work.
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I'm a writer of faith. I was raised Catholic, and I have a deeply Catholic imagination.
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