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I write across genres so I see them, more often, as complementary instead of separated by boundaries.

Julianna Baggott

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Julianna Baggott
Age: 55
Born: 1969
Born: September 30
Essayist
Novelist
Poet
University Teacher
Writer
Wilmington
Delaware
Often
Write
Complementary
Writing
Genres
Separated
Boundaries
Genre
Across
Instead

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The basic rule of storytelling is 'show, don't tell.
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While I was in college becoming a good Catholic I was also becoming a writer - one haunted by Catholicism.
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I prefer a cluttered workspace.
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Writing is my obsession, my passion. My relationship with it is one of the most complex and agonizing and richly vexing that I have in my life.
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One of the reasons I write in different genres is that I get to have the feeling - even fleetingly - that I'm not just writing like Baggott again. I can escape myself.
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So far, I should be calm and more specifically not like that...Anything else? Would you like to do surgery on my personality? How about open-heart surgery? I´ve got some tools
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Writing stories is the habit of lying put to good use.
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Memories are like water.
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I've left the Church - for many reasons that I've written about publicly - but it's still a large part of my identity, and I still have my faith, if not my Church.
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As a writer, my main objective is to tell the story urgently - as if whispering it into one ear - and to know the characters intimately.
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I want women writers to write boldly, wildly, deeply. I want them to feel really liberated to tell the brutal truth, however they see that truth and are moved to tell it.
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I want to keep looking at ways to stride forward with positivity.
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The truth is that for those 86 long years when the Red Sox went without a World Series win, fans were not only in a recession, but trapped in a longstanding, deeply entrenched sports depression.
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I have faith in human beings. I struggle with that faith.
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I am deeply Catholic and always will be, but I'm no longer a member of the church. I left in 2003 because of the sex abuse scandal.
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Are there books about us or something?” This makes Pressia angry - the idea that this world is a subject of study, a story, instead of filled with real people, trying to survive.
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I'm about to start something new. I'm waiting to be whelmed. The whelming as you start something new is quite something.
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When a colleague of mine had a notable New York Times book, I said, turn one of the chapters in the collection into a pitch for a novel and sell it to your publisher.
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She let him go once. Every day demands that she release him over and over again.
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Our imaginations are strong as children. Sometimes they get shoved aside, these imaginations. They get dusty and mildewed with age. The imagination is a muscle that has to be put to use or it shrivels.
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