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Love is selfless, it is a weakness, a giving in, a constant falling.

Julianna Baggott

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Julianna Baggott
Age: 55
Born: 1969
Born: September 30
Essayist
Novelist
Poet
University Teacher
Writer
Wilmington
Delaware
Love
Selfless
Falling
Weakness
Constant
Fall
Giving

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While I was in college becoming a good Catholic I was also becoming a writer - one haunted by Catholicism.
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One of the reasons I write in different genres is that I get to have the feeling - even fleetingly - that I'm not just writing like Baggott again. I can escape myself.
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My oldest sister was an actress living in NYC by the time I was ten, and desperately wanted to be the one in charge of the words.
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I'm a woman, but I've been a sexist, too.
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Is it wrong to kill something that wants to kill you?
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The truth is that for those 86 long years when the Red Sox went without a World Series win, fans were not only in a recession, but trapped in a longstanding, deeply entrenched sports depression.
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It's not that I bounce ideas off of my children as much as it is that having children has had a profound effect on the way I see the world. They have mined my soul. They've made me a better person and therefore a more empathetic writer.
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I want to keep looking at ways to stride forward with positivity.
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As a writer, my main objective is to tell the story urgently - as if whispering it into one ear - and to know the characters intimately.
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I have faith in human beings. I struggle with that faith.
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Sometimes the only way to fix a mistake- is to make it twice.
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I don't have a favorite. I need different genres at different times.
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I write across genres so I see them, more often, as complementary instead of separated by boundaries.
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When a colleague of mine had a notable New York Times book, I said, turn one of the chapters in the collection into a pitch for a novel and sell it to your publisher.
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I've never thought there was anything I could hope to get by praying for it.
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I'm about to start something new. I'm waiting to be whelmed. The whelming as you start something new is quite something.
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Memories are like water.
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I want women writers to write boldly, wildly, deeply. I want them to feel really liberated to tell the brutal truth, however they see that truth and are moved to tell it.
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I try not to divide plot and character. I get to know a character by what they want and fear and how those internal forces play out in their lives.
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I prefer a cluttered workspace.
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