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We need to not be scared [of muslim], but understand each other. When you're around these people, you see they have much more in common than their differences.

Julian Schnabel

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Julian Schnabel
Age: 73
Born: 1951
Born: October 26
Artist
Director
Drawer
Film Director
Painter
Photographer
Screenwriter
Visual Artist
New York City
New York
G'iuliʼan Shenabel
Julian C. Schnabel
People
Scared
Differences
Common
Understand
Around
Need
Needs
Much
Muslim

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Can I find a poetic that can be subversive enough to grab people in some subliminal way, to where they feel that they are altered and have had an experience that belonged to them?
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It doesn't matter what I think I am, it matters what I do.
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I think, basically, I'm an abstract artist. I just think that that's not even an issue. I think everything's abstract.
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There are certain times you want to be here and there are certain times you want to just go. And when you go, it's usually so exhausting you have to check into a hospital when you come home!
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I wanted to show painting paintings first, then the plate paintings now I can show that I've sort of freed myself from stylistic inhibitions.
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I've never made a movie to make money. I've never made a painting to make money.
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Everything I've seen becomes real once it becomes memory. The films I've seen are interchangeable with things that have really happened to me.
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Maybe my work looks a little crazy, a little insane, but I don't really see myself as a crazy artist or a shaman artist.
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I'm not saying I'm the only Jewish person who cares about Palestinian people, but unfortunately, their voices are not necessarily heard as loudly as they should be.
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I'm not mannerist. I don't think I'm interested in mannerism. If I ever use it in a way, or if manner is like some kind of product of certain sorts of usage of different kinds of materials, then it's about involution or turning in on that.
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I think basically I'm a painter, but I would use anything to make my point.
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It's nice to see your name in print. It's interesting.
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I think style is a fringe benefit that looks like you made it.
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I work with things left over from other things.
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The movie [Miral] is not pro-Palestinian. It's about Palestinians. It's a Palestinian story, written by a Palestinian person. I don't know anybody else that could have done that
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Paintings are not like the Internet. They're not like movies. They're not electronic-friendly. You have to go see them. You have to stand in front of them. That's the great thing about them.
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I don't think people are terribly interested in young artists who were doing interesting thing, but I don't think people are terribly interested in young artists.
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In a certain way, my work had set me up to be against lots of things. If there wasn't some sort of sanction for it in the public world, it might have been...it wouldn't have been tolerated, because people don't want things to get shaken up.
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I think beauty is a feeling that you get after you've had an experience. It's the way you feel about it that is beautiful.
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Some people might think that the paintings are involved with a mythic - not just subject matter - but a certain sort of physical space that the paintings occupy...like personages.
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