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If I hung one of my paintings next to someone else's, I knew mine would kind of pop off the wall.

Julian Schnabel

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Julian Schnabel
Age: 73
Born: 1951
Born: October 26
Artist
Director
Drawer
Film Director
Painter
Photographer
Screenwriter
Visual Artist
New York City
New York
G'iuliʼan Shenabel
Julian C. Schnabel
Wall
Painting
Knew
Next
Paintings
Else
Hung
Someone
Pops
Kind
Mines
Would
Mine

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There are certain times you want to be here and there are certain times you want to just go. And when you go, it's usually so exhausting you have to check into a hospital when you come home!
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I don't think people are terribly interested in young artists who were doing interesting thing, but I don't think people are terribly interested in young artists.
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Traditionally, photography is supposed to capture an event that has passed but that is not what I'm looking for. Photography brings the past into the present when you look at it...
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I think beauty is a feeling that you get after you've had an experience. It's the way you feel about it that is beautiful.
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You seem to make different concessions with yourself about what you want to focus on or not, and what you want to pay attention to.
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Some people might think that the paintings are involved with a mythic - not just subject matter - but a certain sort of physical space that the paintings occupy...like personages.
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I work with things left over from other things.
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There's been too much attention on marketing. Can't we just talk about the paintings?
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It's nice to see your name in print. It's interesting.
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I've never made a movie to make money. I've never made a painting to make money.
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I wanted to show painting paintings first, then the plate paintings now I can show that I've sort of freed myself from stylistic inhibitions.
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It doesn't matter what I think I am, it matters what I do.
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The movie [Miral] is not pro-Palestinian. It's about Palestinians. It's a Palestinian story, written by a Palestinian person. I don't know anybody else that could have done that
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I think basically I'm a painter, but I would use anything to make my point.
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There were some types of sanctions that happen in the public world that made my work acceptable, where someone looks at the paintings and they don't - they may go, okay, and then look at it in a different sort of way. Instead of just looking at it as some type of wild art, they look at it in a historical perspective or context.
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My compulsion is to create things.
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Can I find a poetic that can be subversive enough to grab people in some subliminal way, to where they feel that they are altered and have had an experience that belonged to them?
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In a certain way, my work had set me up to be against lots of things. If there wasn't some sort of sanction for it in the public world, it might have been...it wouldn't have been tolerated, because people don't want things to get shaken up.
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Maybe my work looks a little crazy, a little insane, but I don't really see myself as a crazy artist or a shaman artist.
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I think not knowing what to think of your paintings is a good place to be.
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