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If I hung one of my paintings next to someone else's, I knew mine would kind of pop off the wall.
Julian Schnabel
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Julian Schnabel
Age: 73
Born: 1951
Born: October 26
Artist
Director
Drawer
Film Director
Painter
Photographer
Screenwriter
Visual Artist
New York City
New York
G'iuliʼan Shenabel
Julian C. Schnabel
Painting
Knew
Next
Paintings
Else
Hung
Someone
Pops
Kind
Mines
Would
Mine
Wall
More quotes by Julian Schnabel
My compulsion is to create things.
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It's nice to see your name in print. It's interesting.
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I think, basically, I'm an abstract artist. I just think that that's not even an issue. I think everything's abstract.
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There are certain times you want to be here and there are certain times you want to just go. And when you go, it's usually so exhausting you have to check into a hospital when you come home!
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You seem to make different concessions with yourself about what you want to focus on or not, and what you want to pay attention to.
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There's been too much attention on marketing. Can't we just talk about the paintings?
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Paintings are not like the Internet. They're not like movies. They're not electronic-friendly. You have to go see them. You have to stand in front of them. That's the great thing about them.
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I don't like building, I'm not a carpenter, I don't like constructions particularly and things like that, but placements and the kinds of psychological weight that different materials have is pretty interesting to me.
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I'm not mannerist. I don't think I'm interested in mannerism. If I ever use it in a way, or if manner is like some kind of product of certain sorts of usage of different kinds of materials, then it's about involution or turning in on that.
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We need to not be scared [of muslim], but understand each other. When you're around these people, you see they have much more in common than their differences.
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I'm not saying I'm the only Jewish person who cares about Palestinian people, but unfortunately, their voices are not necessarily heard as loudly as they should be.
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I wanted to show painting paintings first, then the plate paintings now I can show that I've sort of freed myself from stylistic inhibitions.
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I want the paintings to take me or the viewer out somewhere else.
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Maybe my work looks a little crazy, a little insane, but I don't really see myself as a crazy artist or a shaman artist.
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There were some types of sanctions that happen in the public world that made my work acceptable, where someone looks at the paintings and they don't - they may go, okay, and then look at it in a different sort of way. Instead of just looking at it as some type of wild art, they look at it in a historical perspective or context.
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Everything I've seen becomes real once it becomes memory. The films I've seen are interchangeable with things that have really happened to me.
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I think style is a fringe benefit that looks like you made it.
Julian Schnabel
I think basically I'm a painter, but I would use anything to make my point.
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I think not knowing what to think of your paintings is a good place to be.
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Traditionally, photography is supposed to capture an event that has passed but that is not what I'm looking for. Photography brings the past into the present when you look at it...
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