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If there's one thing I don't look for in a maid, it's discretion. Except with my own secrets, of course.
Julian Fellowes
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Julian Fellowes
Age: 75
Born: 1949
Born: August 17
Actor
Director
Film Actor
Film Director
Film Producer
Librettist
Novelist
Politician
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Cairo
Egypt
Julian Fellowes
Baron Fellowes of West Stafford
The Lord Fellowes of West Stafford
Baron Fellowes of West Stafford
Julian Kitchener-Fellowes
Julian Kitchener-Fellowes
Baron Fellowes of West Stafford
Julian Alexander Kitchener-Fellowes
Baron Fellowes of West Stafford
Thing
Discretion
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Maids
More quotes by Julian Fellowes
When you are desperate to get someone who isn't all that interested in you, you lay siege as hard as you can.
Julian Fellowes
Sometimes you watch one of your favorite shows from 20 years ago and you think, 'I'm loving this, but golly, it's going at the speed of a snail.'
Julian Fellowes
I think Americans are wonderful film actors - the best in the world - but they are a very contemporary race and they look forward all the time.
Julian Fellowes
You never know people, do you? You can work with 'em for twenty years you don't know 'em at all.
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If you're in the movie or in television, your failures are very public, and so are your successes. You weigh them up against each other, really.
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If you're supposed to be a 'personality,' then you might as well have a personality.
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You see, in America, it's quite standard for an actor to sign, at the beginning of a series, for five or seven years. The maximum any British agent will allow you to have over an actor is three years.
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The English country house is certainly an icon of British culture.
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What's difficult for American audiences is that they're used to a system here where you can get an actor for five years or even seven, and that is signed for at the audition. Whereas in England, no agent will give you an actor for more than three years.
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Today, people often make the American mistake of confusing acquaintances with friends. The former are there to share life's pleasures only the latter should be invited to share one's problems.
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I can be as contrary as I choose.
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I think it's always a challenge to adapt something from one medium to another - a novel into a film or a play into a movie or whatever.
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War makes early risers of us all.
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I think every period - except for the 14th century, or something - has some merits.
Julian Fellowes
Maggie Smith has a unique sense of comedy, based on a somewhat ironic view of real life, making it both funnier and more sad. But perhaps her greatest ability, or at least the one that most intrigues me, is how she can convey deep and powerful emotion without a trace of sentimentality.
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I think I have a very detailed sense of observation. I am interested in the details of people's lives and what information these details give.
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There are many nations that have perfected a particular room. You know, you have the French drawing-room, the Austrian ball room, the German dining room, and I think the library is a room the English get right.
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We live a life that is often spent in crowds - parties, festivals and first nights - so it's nice to avoid them.
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A lot of actors find it impossible not to ask for the audience's sympathy. They have a need to twinkle.
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What you have to understand about period drama is that it's 'history light.
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