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I'm seen as a chronicler of the class system, which I don't think is unfair.
Julian Fellowes
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Julian Fellowes
Age: 75
Born: 1949
Born: August 17
Actor
Director
Film Actor
Film Director
Film Producer
Librettist
Novelist
Politician
Prosaist
Screenwriter
Showrunner
Stage Actor
Cairo
Egypt
Julian Fellowes
Baron Fellowes of West Stafford
The Lord Fellowes of West Stafford
Baron Fellowes of West Stafford
Julian Kitchener-Fellowes
Julian Kitchener-Fellowes
Baron Fellowes of West Stafford
Julian Alexander Kitchener-Fellowes
Baron Fellowes of West Stafford
Seen
Class
Think
Thinking
Chronicler
Unfair
System
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I think American television changed world television in its reinvention of the series.
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If you're in the movie or in television, your failures are very public, and so are your successes. You weigh them up against each other, really.
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The moment I was introduced to my wife, Emma, at a party I thought, here she is - and 20 minutes later I told her she ought to marry me. She thought I was as mad as a rat. She wouldn't even give me her telephone number - and she wrote in her diary: A funny little man asked me to marry him.
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People tend to view history as if it were another planet and think the modern world was invented in 1963. I don't agree.
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I think it's always a challenge to adapt something from one medium to another - a novel into a film or a play into a movie or whatever.
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The English country house is certainly an icon of British culture.
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If we don't respect the past, we'll find it harder to build a future.
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Plenty of friendships are sustainable through dinners and lunches, but will not stand a week away. So be careful with whom you go on holiday.
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Sometimes it is quite surprising, the emotional intensity of it. I was in NY one day, in Barnes and Noble, and I could see this woman following me around and after a bit I stopped and said 'Hello' and she just looked at me and said: “PLEASE LET EDITH BE HAPPY!”
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I think every period - except for the 14th century, or something - has some merits.
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What is a week-end? Maggie Smith in Downton Abbey.
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I think I have a very detailed sense of observation. I am interested in the details of people's lives and what information these details give.
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In the end, drama is successful if you care about the people.
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There are many nations that have perfected a particular room. You know, you have the French drawing-room, the Austrian ball room, the German dining room, and I think the library is a room the English get right.
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I can be as contrary as I choose.
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