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A lot of actors find it impossible not to ask for the audience's sympathy. They have a need to twinkle.
Julian Fellowes
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Julian Fellowes
Age: 75
Born: 1949
Born: August 17
Actor
Director
Film Actor
Film Director
Film Producer
Librettist
Novelist
Politician
Prosaist
Screenwriter
Showrunner
Stage Actor
Cairo
Egypt
Julian Fellowes
Baron Fellowes of West Stafford
The Lord Fellowes of West Stafford
Baron Fellowes of West Stafford
Julian Kitchener-Fellowes
Julian Kitchener-Fellowes
Baron Fellowes of West Stafford
Julian Alexander Kitchener-Fellowes
Baron Fellowes of West Stafford
Asks
Audience
Actors
Find
Need
Needs
Twinkle
Sympathy
Impossible
More quotes by Julian Fellowes
I think I have a very detailed sense of observation. I am interested in the details of people's lives and what information these details give.
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Nothing is harder to dramatize than happiness.
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People tend to view history as if it were another planet and think the modern world was invented in 1963. I don't agree.
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There are many nations that have perfected a particular room. You know, you have the French drawing-room, the Austrian ball room, the German dining room, and I think the library is a room the English get right.
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The moment I was introduced to my wife, Emma, at a party I thought, here she is - and 20 minutes later I told her she ought to marry me. She thought I was as mad as a rat. She wouldn't even give me her telephone number - and she wrote in her diary: A funny little man asked me to marry him.
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Sometimes the weekend gets hijacked by work, but as my mother would say, this is the right problem.
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I love 'Sex and the City' I think I've seen every episode.
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What is a week-end? Maggie Smith in Downton Abbey.
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I'm seen as a chronicler of the class system, which I don't think is unfair.
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Maggie Smith has a unique sense of comedy, based on a somewhat ironic view of real life, making it both funnier and more sad. But perhaps her greatest ability, or at least the one that most intrigues me, is how she can convey deep and powerful emotion without a trace of sentimentality.
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I can be as contrary as I choose.
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What you have to understand about period drama is that it's 'history light.
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If we don't respect the past, we'll find it harder to build a future.
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I think it's always a challenge to adapt something from one medium to another - a novel into a film or a play into a movie or whatever.
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Lawyers are always confident before the verdict. It's only after that they share their doubts.
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Success means your thoughts are worthy of everyones consideration.
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I think every period - except for the 14th century, or something - has some merits.
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If you're in the movie or in television, your failures are very public, and so are your successes. You weigh them up against each other, really.
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Sometimes it is quite surprising, the emotional intensity of it. I was in NY one day, in Barnes and Noble, and I could see this woman following me around and after a bit I stopped and said 'Hello' and she just looked at me and said: “PLEASE LET EDITH BE HAPPY!”
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In the end, drama is successful if you care about the people.
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