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A lot of actors find it impossible not to ask for the audience's sympathy. They have a need to twinkle.

Julian Fellowes

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Julian Fellowes
Age: 75
Born: 1949
Born: August 17
Actor
Director
Film Actor
Film Director
Film Producer
Librettist
Novelist
Politician
Prosaist
Screenwriter
Showrunner
Stage Actor
Cairo
Egypt
Julian Fellowes
Baron Fellowes of West Stafford
The Lord Fellowes of West Stafford
Baron Fellowes of West Stafford
Julian Kitchener-Fellowes
Julian Kitchener-Fellowes
Baron Fellowes of West Stafford
Julian Alexander Kitchener-Fellowes
Baron Fellowes of West Stafford
Asks
Audience
Actors
Find
Need
Needs
Twinkle
Sympathy
Impossible

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I think I have a very detailed sense of observation. I am interested in the details of people's lives and what information these details give.
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I think American television changed world television in its reinvention of the series.
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To me, all success is a delightful surprise, since one can absolutely never predict it.
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I'm seen as a chronicler of the class system, which I don't think is unfair.
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What's difficult for American audiences is that they're used to a system here where you can get an actor for five years or even seven, and that is signed for at the audition. Whereas in England, no agent will give you an actor for more than three years.
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Education. Experience. Or are they the same thing?
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I think Americans are wonderful film actors - the best in the world - but they are a very contemporary race and they look forward all the time.
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We live a life that is often spent in crowds - parties, festivals and first nights - so it's nice to avoid them.
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You see, in America, it's quite standard for an actor to sign, at the beginning of a series, for five or seven years. The maximum any British agent will allow you to have over an actor is three years.
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Maggie Smith has a unique sense of comedy, based on a somewhat ironic view of real life, making it both funnier and more sad. But perhaps her greatest ability, or at least the one that most intrigues me, is how she can convey deep and powerful emotion without a trace of sentimentality.
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What you have to understand about period drama is that it's 'history light.
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Plenty of friendships are sustainable through dinners and lunches, but will not stand a week away. So be careful with whom you go on holiday.
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Life is a game in which the player must appear ridiculous.
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If you're in the movie or in television, your failures are very public, and so are your successes. You weigh them up against each other, really.
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I always loved movies and the cinema we always used to go to see films as a family.
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I think it's always a challenge to adapt something from one medium to another - a novel into a film or a play into a movie or whatever.
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In the end, drama is successful if you care about the people.
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I love 'Sex and the City' I think I've seen every episode.
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Today, people often make the American mistake of confusing acquaintances with friends. The former are there to share life's pleasures only the latter should be invited to share one's problems.
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You never know people, do you? You can work with 'em for twenty years you don't know 'em at all.
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