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With film, so much is in the director's hands. Once something is cut together - unless you're in the editing room - you don't really remember what the alternatives are.

Julia Stiles

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Julia Stiles
Age: 43
Born: 1981
Born: March 28
Actress
Film Actor
Film Director
Model
Stage Actor
Television Actor
New York City
New York
Julia O'Hara Stiles
Rooms
Film
Editing
Hands
Alternatives
Remember
Director
Together
Directors
Much
Cutting
Something
Unless
Really
Room

More quotes by Julia Stiles

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Yoga has stopped me from destroying my joints after running. It slows me down. My brain and body can go into overdrive - yoga teaches me to focus on the moment and not get ahead of myself.
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Theater makes working in movies or TV seem like a cake-walk.
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As an actor, you're only one little piece of the puzzle you're fulfilling someone else's vision. If you're involved earlier on, you're kind of creating your own.
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I'm not good at keeping secrets. If I'm entrusted with a secret from a friend, I can do that because I'm a good friend, but I don't like having secrets, it makes me nervous.
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I’ve really turned a corner recently in terms of not taking work too seriously, so it is much easier for me to not take my work home.
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I'm going to Columbia University but I'm trying to keep that low-profile because I don't want weird people following me there. I want the experience of normal college life.
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Actors can write and produce too. Then when I was working on Jason Bourne­ - having had that experience - instead of going back to my trailer and being separate from everyone else, I would sit behind the monitor and watch Paul Greengrass work and be much more included in the process. That was new for me and really enriching.
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I used to struggle a lot with dwelling on how the day at work was, and I would dwell on my performance. Now, I'm like, Well, that's over and done with, and I can't control the outcome, so move on. I just remember that it's entertainment I am making.
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I like analyzing human behavior. It's complex. That's what keeps me going.
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I am a big fan of horror movies but I had never thought that I had wanted to act in one because I don't think that actors get to do much in them. They're usually just reacting.
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I think it's really special to be a part of something that people are still watching or thinking about or interested in, or remember fondly many years later. I don't think it's annoying at all.
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I think that ultimately I just have to be myself. You know, I don't do anything that outlandish anyway.
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We can become very short-sighted in terms of objectives. The first thing to go during times of economic crisis and budget cuts is funding for things that are essential and not-quantifiable, like the arts. Save Big Bird
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It was nice that there [ in the Bourne Ultimatum ] was a reference to the relationship . It's very subtle - it's actually without dialogue. I do think it's powerful even without words.
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I always feel like a goofy little kid.
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I feel like I have a skill set, but every experience is different and there's always room for improvement.
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I tend to gravitate toward the more powerful roles. As opposed to the doe-eyed girl who bats her eyelashes and runs around in towels, you now what I mean? Because that kind of makes me want to vomit.
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The only thing that gets me through any type of pain, emotional or physical, is to make it worthwhile by putting it into my work.
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Sometimes I have these abstract ideas and then lose track of myself.
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There are a handful of actors who sustain interest because it's exciting to watch them get better at what they do. I want to be one of those actors.
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