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With film, so much is in the director's hands. Once something is cut together - unless you're in the editing room - you don't really remember what the alternatives are.

Julia Stiles

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Julia Stiles
Age: 43
Born: 1981
Born: March 28
Actress
Film Actor
Film Director
Model
Stage Actor
Television Actor
New York City
New York
Julia O'Hara Stiles
Hands
Alternatives
Remember
Director
Together
Directors
Much
Cutting
Something
Unless
Really
Room
Rooms
Film
Editing

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So I am happy to have fans, especially if it enables me to keep working. And I am really grateful when people respond to my work.
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I did a run of a play over the summer in a really tiny theater in New York and that was rejuvenating for me. I directed a short series for Hulu called Paloma and being in an editing room, I learned a lot about acting.
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There are a handful of actors who sustain interest because it's exciting to watch them get better at what they do. I want to be one of those actors.
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I'm not good at keeping secrets. If I'm entrusted with a secret from a friend, I can do that because I'm a good friend, but I don't like having secrets, it makes me nervous.
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Yoga has stopped me from destroying my joints after running. It slows me down.
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Sometimes I have these abstract ideas and then lose track of myself.
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In my worst moments, I try to think about loving instead of hating. Creation versus destruction, know what I'm sayin'?
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I think that ultimately I just have to be myself. You know, I don't do anything that outlandish anyway.
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I always feel like a goofy little kid.
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I've always been fascinated with the idea of people paying for sex and what goes on with that and why that happens.
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I’ve really turned a corner recently in terms of not taking work too seriously, so it is much easier for me to not take my work home.
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I think I was born an artist. But the key is that I have a mom that encouraged and supported my artistic side. She still has the stick-figure drawings framed.
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The only thing that gets me through any type of pain, emotional or physical, is to make it worthwhile by putting it into my work.
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I am a big fan of horror movies but I had never thought that I had wanted to act in one because I don't think that actors get to do much in them. They're usually just reacting.
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My grandmother took me to a lot of theater. I was exposed to performance quite a bit - everything from Broadway to off-Broadway and dance and music as well. I was very lucky that way. It was a very rich childhood.
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In my early career, I look at that time as a series of trial and error and learning as I go.
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As an actor, you're only one little piece of the puzzle you're fulfilling someone else's vision. If you're involved earlier on, you're kind of creating your own.
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Fundamentally women and men are different.
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Actors can write and produce too. Then when I was working on Jason Bourne­ - having had that experience - instead of going back to my trailer and being separate from everyone else, I would sit behind the monitor and watch Paul Greengrass work and be much more included in the process. That was new for me and really enriching.
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I remember seeing Janet McTeer in A Doll's House. My grandmother took me and we had seats in the very back row, but her performance was so powerful - it was very accessible. I felt like I was much closer than I was.
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