Quote

It was nice that there [ in the Bourne Ultimatum ] was a reference to the relationship . It's very subtle - it's actually without dialogue. I do think it's powerful even without words.

Julia Stiles

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Julia Stiles
Age: 43
Born: 1981
Born: March 28
Actress
Film Actor
Film Director
Model
Stage Actor
Television Actor
New York City
New York
Julia O'Hara Stiles
Words
Bourne
Without
Reference
Even
Subtle
Think
Dialogue
Thinking
Relationship
Nice
Powerful
Actually
Ultimatum

More quotes by Julia Stiles

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I've always been fascinated with the idea of people paying for sex and what goes on with that and why that happens.
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I like analyzing human behavior. It's complex. That's what keeps me going.
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I am a big fan of horror movies but I had never thought that I had wanted to act in one because I don't think that actors get to do much in them. They're usually just reacting.
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I tend to gravitate toward the more powerful roles. As opposed to the doe-eyed girl who bats her eyelashes and runs around in towels, you now what I mean? Because that kind of makes me want to vomit.
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I used to struggle a lot with dwelling on how the day at work was, and I would dwell on my performance. Now, I'm like, Well, that's over and done with, and I can't control the outcome, so move on. I just remember that it's entertainment I am making.
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I feel like I have a skill set, but every experience is different and there's always room for improvement.
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With film, so much is in the director's hands. Once something is cut together - unless you're in the editing room - you don't really remember what the alternatives are.
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My grandmother took me to a lot of theater. I was exposed to performance quite a bit - everything from Broadway to off-Broadway and dance and music as well. I was very lucky that way. It was a very rich childhood.
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I think that ultimately I just have to be myself. You know, I don't do anything that outlandish anyway.
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In my worst moments, I try to think about loving instead of hating. Creation versus destruction, know what I'm sayin'?
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I'm not good at keeping secrets. If I'm entrusted with a secret from a friend, I can do that because I'm a good friend, but I don't like having secrets, it makes me nervous.
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I met this homeless man who had never owned a shirt in his life. He had taken his pants and worn them as a shirt and I thought it was so creative. He was liberated from the conventions of fashion.
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I always feel like a goofy little kid.
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So I am happy to have fans, especially if it enables me to keep working. And I am really grateful when people respond to my work.
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Sometimes I have these abstract ideas and then lose track of myself.
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I remember seeing Janet McTeer in A Doll's House. My grandmother took me and we had seats in the very back row, but her performance was so powerful - it was very accessible. I felt like I was much closer than I was.
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I think it's really special to be a part of something that people are still watching or thinking about or interested in, or remember fondly many years later. I don't think it's annoying at all.
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In my early career, I look at that time as a series of trial and error and learning as I go.
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We can become very short-sighted in terms of objectives. The first thing to go during times of economic crisis and budget cuts is funding for things that are essential and not-quantifiable, like the arts. Save Big Bird
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I think I was born an artist. But the key is that I have a mom that encouraged and supported my artistic side. She still has the stick-figure drawings framed.
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