Quote

It was nice that there [ in the Bourne Ultimatum ] was a reference to the relationship . It's very subtle - it's actually without dialogue. I do think it's powerful even without words.

Julia Stiles

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Julia Stiles
Age: 43
Born: 1981
Born: March 28
Actress
Film Actor
Film Director
Model
Stage Actor
Television Actor
New York City
New York
Julia O'Hara Stiles
Powerful
Actually
Ultimatum
Words
Bourne
Without
Reference
Even
Subtle
Think
Dialogue
Thinking
Relationship
Nice

More quotes by Julia Stiles

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I think I was born an artist. But the key is that I have a mom that encouraged and supported my artistic side. She still has the stick-figure drawings framed.
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I've always been fascinated with the idea of people paying for sex and what goes on with that and why that happens.
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I always feel like a goofy little kid.
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In my worst moments, I try to think about loving instead of hating. Creation versus destruction, know what I'm sayin'?
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Fundamentally women and men are different.
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As an actor, you're only one little piece of the puzzle you're fulfilling someone else's vision. If you're involved earlier on, you're kind of creating your own.
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I think it's really special to be a part of something that people are still watching or thinking about or interested in, or remember fondly many years later. I don't think it's annoying at all.
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I wear everything from hip-hop baggy pants to beautiful Armani dresses. I also like to mix vintage clothing with designer pieces.
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We can become very short-sighted in terms of objectives. The first thing to go during times of economic crisis and budget cuts is funding for things that are essential and not-quantifiable, like the arts. Save Big Bird
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Yoga has stopped me from destroying my joints after running. It slows me down.
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I’ve really turned a corner recently in terms of not taking work too seriously, so it is much easier for me to not take my work home.
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I did a run of a play over the summer in a really tiny theater in New York and that was rejuvenating for me. I directed a short series for Hulu called Paloma and being in an editing room, I learned a lot about acting.
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Sometimes I have these abstract ideas and then lose track of myself.
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Actors can write and produce too. Then when I was working on Jason Bourne­ - having had that experience - instead of going back to my trailer and being separate from everyone else, I would sit behind the monitor and watch Paul Greengrass work and be much more included in the process. That was new for me and really enriching.
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I used to struggle a lot with dwelling on how the day at work was, and I would dwell on my performance. Now, I'm like, Well, that's over and done with, and I can't control the outcome, so move on. I just remember that it's entertainment I am making.
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I met this homeless man who had never owned a shirt in his life. He had taken his pants and worn them as a shirt and I thought it was so creative. He was liberated from the conventions of fashion.
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With film, so much is in the director's hands. Once something is cut together - unless you're in the editing room - you don't really remember what the alternatives are.
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The only thing that gets me through any type of pain, emotional or physical, is to make it worthwhile by putting it into my work.
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I like analyzing human behavior. It's complex. That's what keeps me going.
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There are a handful of actors who sustain interest because it's exciting to watch them get better at what they do. I want to be one of those actors.
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