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We can become very short-sighted in terms of objectives. The first thing to go during times of economic crisis and budget cuts is funding for things that are essential and not-quantifiable, like the arts. Save Big Bird
Julia Stiles
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Julia Stiles
Age: 43
Born: 1981
Born: March 28
Actress
Film Actor
Film Director
Model
Stage Actor
Television Actor
New York City
New York
Julia O'Hara Stiles
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More quotes by Julia Stiles
I am a big fan of horror movies but I had never thought that I had wanted to act in one because I don't think that actors get to do much in them. They're usually just reacting.
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I've always been fascinated with the idea of people paying for sex and what goes on with that and why that happens.
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I used to struggle a lot with dwelling on how the day at work was, and I would dwell on my performance. Now, I'm like, Well, that's over and done with, and I can't control the outcome, so move on. I just remember that it's entertainment I am making.
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So I am happy to have fans, especially if it enables me to keep working. And I am really grateful when people respond to my work.
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I feel like I have a skill set, but every experience is different and there's always room for improvement.
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I'm going to Columbia University but I'm trying to keep that low-profile because I don't want weird people following me there. I want the experience of normal college life.
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Yoga has stopped me from destroying my joints after running. It slows me down.
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I'm not good at keeping secrets. If I'm entrusted with a secret from a friend, I can do that because I'm a good friend, but I don't like having secrets, it makes me nervous.
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Theater makes working in movies or TV seem like a cake-walk.
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Fundamentally women and men are different.
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I think that ultimately I just have to be myself. You know, I don't do anything that outlandish anyway.
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In my worst moments, I try to think about loving instead of hating. Creation versus destruction, know what I'm sayin'?
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It was nice that there [ in the Bourne Ultimatum ] was a reference to the relationship . It's very subtle - it's actually without dialogue. I do think it's powerful even without words.
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I wear everything from hip-hop baggy pants to beautiful Armani dresses. I also like to mix vintage clothing with designer pieces.
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I remember seeing Janet McTeer in A Doll's House. My grandmother took me and we had seats in the very back row, but her performance was so powerful - it was very accessible. I felt like I was much closer than I was.
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I met this homeless man who had never owned a shirt in his life. He had taken his pants and worn them as a shirt and I thought it was so creative. He was liberated from the conventions of fashion.
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I always feel like a goofy little kid.
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In my early career, I look at that time as a series of trial and error and learning as I go.
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My grandmother took me to a lot of theater. I was exposed to performance quite a bit - everything from Broadway to off-Broadway and dance and music as well. I was very lucky that way. It was a very rich childhood.
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As an actor, you're only one little piece of the puzzle you're fulfilling someone else's vision. If you're involved earlier on, you're kind of creating your own.
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