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We can become very short-sighted in terms of objectives. The first thing to go during times of economic crisis and budget cuts is funding for things that are essential and not-quantifiable, like the arts. Save Big Bird
Julia Stiles
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Julia Stiles
Age: 43
Born: 1981
Born: March 28
Actress
Film Actor
Film Director
Model
Stage Actor
Television Actor
New York City
New York
Julia O'Hara Stiles
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More quotes by Julia Stiles
Fundamentally women and men are different.
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I'm not good at keeping secrets. If I'm entrusted with a secret from a friend, I can do that because I'm a good friend, but I don't like having secrets, it makes me nervous.
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Sometimes I have these abstract ideas and then lose track of myself.
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I like analyzing human behavior. It's complex. That's what keeps me going.
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As an actor, you're only one little piece of the puzzle you're fulfilling someone else's vision. If you're involved earlier on, you're kind of creating your own.
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With film, so much is in the director's hands. Once something is cut together - unless you're in the editing room - you don't really remember what the alternatives are.
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So I am happy to have fans, especially if it enables me to keep working. And I am really grateful when people respond to my work.
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I met this homeless man who had never owned a shirt in his life. He had taken his pants and worn them as a shirt and I thought it was so creative. He was liberated from the conventions of fashion.
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I tend to gravitate toward the more powerful roles. As opposed to the doe-eyed girl who bats her eyelashes and runs around in towels, you now what I mean? Because that kind of makes me want to vomit.
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Yoga has stopped me from destroying my joints after running. It slows me down.
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I feel like I have a skill set, but every experience is different and there's always room for improvement.
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I remember seeing Janet McTeer in A Doll's House. My grandmother took me and we had seats in the very back row, but her performance was so powerful - it was very accessible. I felt like I was much closer than I was.
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In my early career, I look at that time as a series of trial and error and learning as I go.
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I used to struggle a lot with dwelling on how the day at work was, and I would dwell on my performance. Now, I'm like, Well, that's over and done with, and I can't control the outcome, so move on. I just remember that it's entertainment I am making.
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I’ve really turned a corner recently in terms of not taking work too seriously, so it is much easier for me to not take my work home.
Julia Stiles
My grandmother took me to a lot of theater. I was exposed to performance quite a bit - everything from Broadway to off-Broadway and dance and music as well. I was very lucky that way. It was a very rich childhood.
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I did a run of a play over the summer in a really tiny theater in New York and that was rejuvenating for me. I directed a short series for Hulu called Paloma and being in an editing room, I learned a lot about acting.
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I've always been fascinated with the idea of people paying for sex and what goes on with that and why that happens.
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Actors can write and produce too. Then when I was working on Jason Bourne - having had that experience - instead of going back to my trailer and being separate from everyone else, I would sit behind the monitor and watch Paul Greengrass work and be much more included in the process. That was new for me and really enriching.
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I am a big fan of horror movies but I had never thought that I had wanted to act in one because I don't think that actors get to do much in them. They're usually just reacting.
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