More isnt always better, Linus. Sometimes its just more.

For me, the only ego that needs serving in putting together a film is the story's, the ego of the story and it's the piece itself that you want to bring out the voice of the piece. You're really serving that and that's the thing that you have a basic understanding of.

At first I was a bit indignant about it, and then I realised, 'No, that's what people want, so that's what is given.' But it's not in your control. It's just what happens to you, and that's what's frightening.

It was a fantastic learning experience and OK, I got slammed because I wasn't Audrey Hepburn but you could have predicted that, really, if you'd opened your eyes wide enough.

I have a really hard time stepping out of a limousine and confronting a sh*tload of photographers who are all screaming at you, because it's like saying, 'yeah, yeah, here I am!'

The product supply chain, from source material to store, is an organizing map for delivering human rights.

And it's not that going out for a hack is wrong or bad, I certainly don't view it as that it's just that there's something about the dressage, being put through your paces, that makes you better.

Sex, love and death are universal and timeless dramatic themes.

Enslavement is when one person completely controls another person, uses violence or violent threats to maintain that control, exploits them economically, and pays them effectively nothing. Trafficking in persons is a process of enslaving someone.

When really you've gone to drama school and rep and then you've come to London and gone to auditions and you've worked, solidly, for years. But that all gets forgotten.

If you do anything for too long, it starts to lack edge, to become too easy. Easy is the kiss of death.

I'd say that kids working on sets, even if it's Bambi, need to be allowed to be kids, even if they're working, not become little adults - that to me can be distorting to kids as an experience.