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I feel like we as human beings are trampling all over the natural world, but at the same time, we are totally in its power.
Julia Kent
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Julia Kent
Age: 24
Born: 2000
Born: January 1
Cellist
Composer
Vancouver
British Columbia
Humans
Feel
Feels
Trampling
Time
Totally
Like
Beings
World
Natural
Power
Human
More quotes by Julia Kent
It's just a spare room in my apartment. It's very cluttered and not particularly aesthetically inspiring, and it's very un-noise-proof.
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I think it's really different for me whether I'm touring as part of a larger group or if I'm touring on my own. It's a completely different experience, because when I tour on my own, it's really just me by myself, and I make nice relationships with people.
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I feel as though I can get an end result that works for me, but as far as recording techniques, I don't feel that confident in my abilities.
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I enjoy touring and traveling because that's the time when I get to read, and listen to music. You have all that downtime, which is great for that.
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I feel like these sounds are the ultimate kind of free sounds, the ultimate public domain sounds. And I feel like people put them in completely different contexts, and they mean something different to everybody.
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I saw Grizzly Man I know what can happen.
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Learning how to record has been super empowering for me, because I spent so many years going into the studio and watching other people do it. I guess a lot of musicians have gone through this because now recording is really available for everybody.
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Last time I was recording, I was trying to loop on the computer, but it's really difficult because it's really different from looping on hardware.
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Sometimes when I'm traveling, I feel a little bit dislocated, especially the transitions you make when you're traveling - you go to a different city every day.
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I have totally like an urbanite relationship to nature. I mean I'm not someone who hikes.
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I'm really not working in a environment that's sonically pristine. It's not a conventional studio, obviously it's a bit ramshackle.
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I'm always anxious in introducing sounds that don't originate with the cello.
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