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If you are not able to communicate successfully between yourself and yourself, how are you supposed to make it with the strangers outside?

Jules Feiffer

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Jules Feiffer
Age: 95
Born: 1929
Born: January 26
Actor
Cartoonist
Comics Artist
Drawer
Journalist
Playwright
Screenwriter
University Teacher
Writer
The Bronx
New York City
Jules Ralph Feiffer
Successfully
Strangers
Stranger
Communicate
Supposed
Outside
Able
Make

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I told the doctor I was overtired, anxiety-ridden, compulsively active, constantly depressed, with recurring fits of paranoia. Turns out I'm normal.
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We are all continually embarking on first drafts, in every aspect of our lives.
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At sixteen I was stupid, confused and indecisive. At twenty-five I was wise, self-confident, prepossessing and assertive. At forty-five I am stupid, confused, insecure and indecisive. Who would have supposed that maturity is only a short break in adolescence?
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Over the years, I discovered over and over again that once you lose control, you have a chance of getting good at it. And once you're controlling the work, it's not going to be very good, or it won't be as good as it should be.
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I was never interested in the two-party system per se. I was interested in how authority was abused by government, and how lies were told, and rewritten, to seem to be true. I came up out of a tradition of radical journalism.
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It is not size or age that separates children from adults. It is responsibility.
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When you do the kind of work I do, everything is challenging, but probably the most challenging thing is getting up in the morning and getting on with it because it's so easy to stay in bed and not get on with it.
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There's no rap against comics that isn't true. They were sexist, they were racist, you name it - and they kind of gloried in that.
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When people started reading me and talking to me about the work, they didn't say how funny, or how satiric, or how brilliant, or how this or how that, they said, how'd you get away with it? How'd you get that into print?
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I seemed to have instinctually a strong idea of how the strip had to be written from the beginning. That changed too, but it was more in the direction of where it was headed. I didn't have a clue as to the drawing style, because the drawing style that I was groomed on from the beginning was newspaper comic strips, which were much more conventional.
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Maturity is only a short break in adolescence.
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We want playmates we can own.
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When I write a play, my whole intent at bottom is to get the audience to be in the cast, to get that audience on stage with the actors and to get them thoroughly involved in what's going on.
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Artists can color the sky red because they know it's blue. Those of us who aren't artists must color things the way they really are or people might think we're stupid.
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Imagination continually frustrates tradition that is its function.
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Jesus died to forgive our sins. Dare we make his martyrdom meaningless by not committing them?
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The artwork had very little to do with the thought process, and the writing too, for that matter. What happens, happens, and it happens outside the brain.
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Kids are in ongoing need of support, and they get various versions of it from grownups which aren't legitimate - a grownup's version of what we think you should have. We tell you what creativity is, and we even tell you what you're thinking.
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Eventually, if it's on your mind, you stumble on it. You need a certain amount of luck and persistence.
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