I go to make art as who I am as a person. The fact that I am a woman comes into play maybe in the kinds of things I'm interested in or in the way I structure a canvas.

I feel like I have at least begun to make a contribution, but my most significant concern has to do with whether my actual art will be preserved for future generations or be erased.

Because men have a history, it is difficult for them to imagine what it is like to grow up without one, or the sense of personal expansion that comes from discovering that we women have a worthy heritage. Along with pride often comes rage – rage that one has been deprived of such a significant knowledge.

With my early work I got eviscerated by my male professors, and so you learned to disguise your impulses, as many women have done. And thats definitely changed.

There's no question that many more women artists are showing worldwide now than they were when I was a young woman, and that's really great.

You shouldn't have to justify your work.

I think what's important is to give space to the range of human experience.

Ah, well, do I wish that we lived in a world where gender didn't figure so prominently? Of course. Do I even think about myself as a woman when I go to make art? Of course not.

Remember our heritage is our power we can know ourselves and our capacities by seeing that other women have been strong.

I set my sights upon becoming the kind of artist who would make a contribution to art history

In the beginning, the feminine principle was seen as the fundamental cosmic force. All ancient peoples believed that the world was created by a female Diety.

Donald, my husband, considers himself a feminist.

Do I even think about myself as a woman when I go to make art? Of course not.

People have accepted the media's idea of what feminism is, but that doesn't mean that it's right or true or real. Feminism is not monolithic. Within feminism, there is an array of opinions.