Quote

Photographs can be forms of recruitment, ways of bringing the viewer into the military, as it were. In this way, they prepare us for war, even enlist us in war, at the level of the senses, establishing a sensate regime of war.

Judith Butler

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Judith Butler
Age: 68
Born: 1956
Born: February 24
Art Theorist
Feminist
Journalist
Literary Critic
Philosopher
Sociologist
University Teacher
Writer
Cleveland
Ohio
Judith P. Butler
Judith Pamela Butler
Even
Photograph
Viewer
Way
Forms
Regime
Level
Viewers
Military
Regimes
Levels
Photographs
Ways
Prepare
Enlist
War
Bringing
Recruitment
Form
Senses
Establishing

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It wasn't possible just to rid oneself, simply, of the norms through which one is constituted.
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I think maybe it's more important to know the traditional concepts we have for thinking about how bodies are feminine or masculine or how sexuality is, straight or gay. These categories very often fail to describe the complexity of who we are.
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I want to say that the way in which we understand gender actually changes the way we live gender.
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There are surely many ways that [media select and contextualise events determine the boundaries of public thinking] happens, but we can note at the most obvious level the way in which forms of resistance or violence get cast as conflicts that assume two sides that are fighting only against one another.
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People who have been made stateless by military occupation are entitled to repatriation, and then the question is to which state, or to what polity or area? Those who have had their goods taken away are entitled to compensation of some kind. These are basic international laws.
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What we need is a political and joyous alternative to the behaviorist discourse, the Christian discourse on evil or sin, and the convergence of the two in forms of gender policing that [is] tyrannical and destructive.
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I think we have to ask, not, what Gender trouble is today but where Gender trouble is today.
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If you are asking whether states and state actors can only respond through revenge, then you are suggesting that diplomatic solutions are hopeless.
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Parody by itself is not subversive, and there must be a way to understand what makes certain kinds of parodic repetitions effectively disruptive, truly troubling, and which repetitions become domesticated and recirculated as instruments of cultural hegemony
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Let's face it. We're undone by each other. And if we're not, we're missing something.
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So there might be a kind of collective effort that allows for those risks to be taken, pose a certain danger but not a suicidal one.
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Possibility is not a luxury it is as crucial as bread.
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People need to know who I am and where I'm coming from.
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Until we learn that other lives are equally grievable and have an equal demand on us to be grieved - especially the ones that we've helped to eliminate - I'm not sure we'll really be on the way to overcoming the problem of dehumanization.
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Masculine and feminine roles are not biologically fixed but socially constructed.
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It is true that non-governmental organisations working within strong human rights frameworks are now confounded by securitarian forms of logic and power that extend the paternalistic bias of their work in new ways.
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We have to be able track the ways in which fear, for instance, is monopolised by state and media institutions, ways in which fear is actually promoted and distributed as a way of bolstering the need for greater security and militarisation.
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The state or global forms of power that seek to protect populations considered in danger may well extend their own power through those acts of protection.
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Gender is a kind of imitation for which there is no original in fact, it is a kind of imitation that produces the very notion of the original as an effect and consequence of the imitation itself.
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The idea that speaking at all on the topic, demanding public space in which to have that debate, is itself an act of complicity with violence, and violence against Israelis, understood as synonymous with Jews, and so violence against Jews, clearly stops the speech with an unspeakable allegation.
Judith Butler