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Visual renditions of war not only establish what can be seen, and the audio-track established what can be heard, but the photographs also train us in ways of focusing on targets, ways of regarding suffering and loss.

Judith Butler

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Judith Butler
Age: 68
Born: 1956
Born: February 24
Art Theorist
Feminist
Journalist
Literary Critic
Philosopher
Sociologist
University Teacher
Writer
Cleveland
Ohio
Judith P. Butler
Judith Pamela Butler
Way
Train
Photographs
Loss
Establish
Ways
Visuals
Seen
Visual
Heard
Established
Audio
Suffering
Target
Targets
War
Photograph
Regarding
Also
Track
Focusing

More quotes by Judith Butler

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I was born a Zionist, because I didn't have a choice about that. It was the ether of my family life, but I certainly broke with it as I asked more questions about it. And that doesn't mean I want to see the destruction of a people, it means I want to see a state structure that might embody more substantially the basic principles of democracy.
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Indeed it may be only by risking the incoherence of identity that connection is possible.
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Every taxi driver I have ever spoken to has a theory of gender.
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A certain kind of permission is given to live differently, to conceptualize and to act according to a new conceptualization.
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Parody by itself is not subversive, and there must be a way to understand what makes certain kinds of parodic repetitions effectively disruptive, truly troubling, and which repetitions become domesticated and recirculated as instruments of cultural hegemony
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People need to know who I am and where I'm coming from.
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Maybe one of the jobs of theory or philosophy is to elevate principles that seem impossible, or that have the status of the impossible, to stand by them and will them, even when it looks highly unlikely that they'll ever be realised. But that's ok, it's a service.
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So there might be a kind of collective effort that allows for those risks to be taken, pose a certain danger but not a suicidal one.
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We're trying to divide groups or decide that some of them are truly victims and some of them are truly aggressors.
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When I was young there were lesbians who said Oh, I will free myself of all norms of masculinity, all norms of heterosexuality . And then, they ended up in very complex relationships that were maybe full of heterosexual power dynamics or full of lesbian forms of masculinity and they became very confused.
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So for instance in rap music, you very often hear words that would seem very racist, or very misogynous or very homophobic but in some of those instances, the words are being taken back or redefined so that they lose their injurious quality.
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If gender is eradicated, so too is an important domain of pleasure for many people. And others have a strong sense of self bound up with their genders, so to get rid of gender would be to shatter their self-hood.
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Perhaps the promise of phallus is always dissatisfying in some way.
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I think, what I want to say is that yes, my ideas have travelled into popular culture they also emerged from popular culture in a way, or from the general public as you put it. But not as a program.
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Gender is an identity tenuously constituted in time, instituted in an exterior space through a stylized repetition of acts.
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It's important that if one opposes discriminatory speech, one opposes all kinds. That is that one decides on a principle that it will include all minorities. But if the protection of one minority against another minority is what is happening, then I worry about that.
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... that gender is a choice, or that gender is a role, or that gender is a construction that one puts on, as one puts on clothes in the morning, that there is a 'one' who is prior to this gender, a one who goes to the wardrobe of gender and decides with deliberation which gender it will be today.
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Let's face it. We're undone by each other. And if we're not, we're missing something.
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We have to be able track the ways in which fear, for instance, is monopolized by state and media institutions, ways in which fear is actually promoted and distributed as a way of bolstering the need for greater security and militarization.
Judith Butler
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Photography has a relation to intervention, but photographing is not the same as an intervening.
Judith Butler